Database / Artworks
Artworks
Design for a Candelabra
Carlo Marchionni, Italian
Pen and ink, brush and wash on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for a Candelabra
Carlo Marchionni, Italian
Pen and ink on paper · 1800
Cooper Hewitt, Smithsonian Design Museum
Design for a Fountain in a Park
Carlo Marchionni, Italian
Black chalk, brush and watercolor on paper, mounted · 1790
Cooper Hewitt, Smithsonian Design Museum
Doorway, Loggia, Ground Floor, Villa Albani, Rome, Italy
Carlo Marchionni, Italian
architecture, drawing — graphite, pen and sepia ink, brush and gray watercolor on brown-gray paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Landscape with a Burning Tower
Carlo Marchionni, Italian
Pen and ink, brush and lustre on paper · 1780
Cooper Hewitt, Smithsonian Design Museum
Design for a Doorway to the Sacristy of St. Peter's, Rome
Carlo Marchionni, Italian
Pen and brown ink, brush and brown, gray wash, graphite on cream laid paper · 1778
Cooper Hewitt, Smithsonian Design Museum
Two sketches for cartouches
Carlo Marchionni, Italian
Pen and sepia ink on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Three sketches
Carlo Marchionni, Italian
Pen and ink on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Door Frame
Carlo Marchionni, Italian
Black crayon, black wash, graphite on paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Three sketches of cartouches
Carlo Marchionni, Italian
Pen and ink on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Figural Sketches
Carlo Marchionni, Italian
Graphite on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for an altar of the Virgin
Carlo Marchionni, Italian
Pen and sepia ink, brush and gray watercolor on laid paper · 1775
Cooper Hewitt, Smithsonian Design Museum
Design for a Catafalque for Charles Emanuel III of Sardinia
Carlo Marchionni, Italian
Pen and brown ink, brush and wash, black chalk on off-white laid paper, mounted · 1773
Cooper Hewitt, Smithsonian Design Museum
View of a Monastery Receiving Visit from Great People
Carlo Marchionni, Italian
architecture, drawing — black chalk, brush and gray-black watercolor on cream laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Fishermen in Landscape
Carlo Marchionni, Italian
landscapes, drawing — pen and brown ink with brown wash on off-white paper, lined · 1770
Cooper Hewitt, Smithsonian Design Museum
Landscape with Bridge
Carlo Marchionni, Italian
Pen and ink, brush and watercolor on paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Road in a Mountainous Country
Carlo Marchionni, Italian
Black chalk, pen and ink, brush and watercolor on paper · 1770
Cooper Hewitt, Smithsonian Design Museum
At the gate of a villa
Carlo Marchionni, Italian
Black crayon on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Landscape with Temple Ruins
Carlo Marchionni, Italian
Pen and ink, brush and bistre on paper · 1770
Cooper Hewitt, Smithsonian Design Museum
A landscape
Carlo Marchionni, Italian
Black chalk, pen and brown ink on paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Design for a Frieze
Carlo Marchionni, Italian
Black crayon, pen and sepia ink, brush and gray watercolor on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum
A Reliquary for Three Skulls
Carlo Marchionni, Italian
Black crayon, brush, sepia, and gray water color. · 1770
Cooper Hewitt, Smithsonian Design Museum
A Village at a Brook in Mountainous Country
Carlo Marchionni, Italian
Pen and brown ink on paper · 1770
Cooper Hewitt, Smithsonian Design Museum
Design for an Architrave
Carlo Marchionni, Italian
Black crayon, pen and ink, brush and sepia on laid paper · 1770
Cooper Hewitt, Smithsonian Design Museum