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Artworks

98,525 records by Hugues Merle · Art Institute Chicago
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #3 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and gold plate · 2017
Art Institute of Chicago
Yellow Rose Dress Walking in Graveyard
Yellow Rose Dress Walking in Graveyard
Evelyn Taocheng Wang
Ink and acrylic on rice paper, mounted on rice paper; Agnès B dress · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Bao Shi Shan Luo Ying 宝石山 落英 5 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
When Elephants Fight, It Is The Frogs That Suffer—A Sonic Graffiti
Ben Patterson
24-channel sound field (24 camouflaged loudspeakers) · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Bao Shi Shan Luo Ying 宝石山 落英 3 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
ABBIATEGRASSO – Metrò, La Due Series, Free-standing Screen
ABBIATEGRASSO – Metrò, La Due Series, Free-standing Screen
PIOVENEFABI
Metal · 2017
Art Institute of Chicago
Mind in the Machine (State of Active Work)
Mind in the Machine (State of Active Work)
Ani Liu
Brainwaves of a worker, custom knitting code, polyester, nylon · 2017
Art Institute of Chicago
Bless N°26 Cable Jewelry
Bless N°26 Cable Jewelry
BLESS eine GmbH
Natural wood and electronic cable · 2017
Art Institute of Chicago
Small Wonders
Small Wonders
Irma Boom
Book · 2017
Art Institute of Chicago
Untitled (Man)
Untitled (Man)
Kerry James Marshall
Woodcut in brown and black on white wove paper · 2017
Art Institute of Chicago
Pembury Estate
Pembury Estate
Stan Douglas
Digital chromogenic print mounted on Dibond aluminum · 2017
Art Institute of Chicago
Open Shore, Competition Entry, Banyan Hub Triptych
Open Shore, Competition Entry, Banyan Hub Triptych
Ecosistema Urbano
Exterior: white lacquered MDF boxes with steel plain hinge and transparent Perspex; Interior: multi-layered digital print drawing and 2 digital frames · 2017
Art Institute of Chicago
Strates IV
Strates IV
Simone Pheulpin
Cotton, plain weave; straight pins · 2017
Art Institute of Chicago
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Bao Shi Shan Luo Ying 宝石山 落英 2 Plate
Shanchun Yan
Copper plate · 2017
Art Institute of Chicago
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Neo-Huaco #2 from the series ¿Y qué hacemos con nuestra historia? (So What Do We Do with Our History?)
Ana De Orbegoso
Resin and copper plate · 2017
Art Institute of Chicago
Forge Chair (Square Chair #2) 298
Forge Chair (Square Chair #2) 298
Max Lamb
AISI 1045 carbon steel · 2017
Art Institute of Chicago
Drinking Wine
Drinking Wine
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
Two Towers Model
Two Towers Model
PRODUCTORA
Styrene and paint · 2017
Art Institute of Chicago
Night Moor at Maple Bridge
Night Moor at Maple Bridge
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
Crows Going Back to Their Nest - Satire on the King of Wu
Crows Going Back to Their Nest - Satire on the King of Wu
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
Green Hills of Earth (3)
Green Hills of Earth (3)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
I'm trying to keep my faith. But I'm searching for more. Somewhere I can be safe.
Wardell Milan
Chromogenic print · 2017
Art Institute of Chicago
Green Hills of Earth (1)
Green Hills of Earth (1)
Carroll Dunham
Urethane, acrylic and pencil on linen · 2017
Art Institute of Chicago
Autumn Evening in the Mountains
Autumn Evening in the Mountains
Wang Dongling
Acrylic on plexi glass board, framed · 2017
Art Institute of Chicago
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