Database / Artworks
Artworks
Design for a Tabernacle
Pierre Puget
Pen and brown ink, brush and brown wash, heightened with white, over graphite; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
Child reclining
Rombout Verhulst
Marble · 1600
The Metropolitan Museum of Art
Lock
John Wilkes Booth
Steel, brass, wood · 1600
The Metropolitan Museum of Art
River Landscape with Traveler
Cornelis Vroom
Pen and brown ink, touches of brush and brown wash; framing lines in pen and brown ink · 1600
The Metropolitan Museum of Art
David and Goliath
Francesco Fanelli
Bronze · 1600
The Metropolitan Museum of Art
Bacchanal
Pierre Brebiette
Etching · 1600
The Metropolitan Museum of Art
Virgin and Child, with Saints Anthony and Catherine
Giacomo Cavedone, Italian
Etching · 1600
The Metropolitan Museum of Art
Two Angels Seated on Clouds
Claude Mellan
Etching; second state of two · 1600
The Metropolitan Museum of Art
On a Rustic Bridge, Carrying a Zither
Gyokudō
Hanging scroll; ink on paper · 1600
The Metropolitan Museum of Art
Kneeling Woman
Mattia Preti
Red chalk on light brown paper · 1600
The Metropolitan Museum of Art
Design for the Decoration of an Oval Dish with a Bacchanal
Filippo Lauri
Red chalk, wash · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
The Elements: Earth
Christoph Murer
Painted and stained glass · 1600
The Metropolitan Museum of Art
Three Men and a Dog on a Hill
Ercole Bazicaluva
Pen and crayon · 1600
The Metropolitan Museum of Art
Victor Amadeus I, Duke of Savoy (1587–1637)
Abraham
Bronze · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Design for a Title Page with a Coat of Arms (blank) and Two Putti Holding a Crown
Giovanni Andrea Maglioli
Pen and brown ink, brush and brown wash, over black chalk (incised for transfer) · 1600
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art