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Artworks
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 25 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Virgin Interceding for Those in Purgatory
Alonso Cano
Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper · 1601
The Metropolitan Museum of Art
Engraving of Firearms Ornament from the Pattern Book <i>Plusieurs pieces de l'arquebuzerie / recueillies et inventeés par Francois Marcou</i>
C. Jacquinet
Ink, paper · 1601
The Metropolitan Museum of Art
Angels Ministering to St. Sebastian
Alonso Cano
Black chalk on off-white paper. On lower left traces of unrelated lines in pen and dark brown ink · 1601
The Metropolitan Museum of Art
Allegory of the Death of a Religious Man
Francken, Frans, II
Pen and brown ink, brush and brown and blue ink · 1601
The Metropolitan Museum of Art
Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>) · 1601
The Metropolitan Museum of Art
Allegory of the Death of a Religious Man
Frans Francken III
Pen and brown ink, brush and brown and blue ink · 1601
The Metropolitan Museum of Art
Barberini Cabinet
Florence
Oak and poplar veneered with various exotic hardwoods, with ebony moldings and plaques of marble, slate (paragon); pietre dure work consisting of colored marbles, rock crystal, and various hardstones · 1601
The Metropolitan Museum of Art
Three Putti Holding Cross Before Two Male Saints
Alonso Cano
Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Jacob Wrestling with the Angel
Giulio Benso
Pen and brown ink, brush and brown wash over traces of black chalk · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 96 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Andiron
Niccolò Roccatagliata
Copper alloy with a warm brown patina under a partly worn dark brown to black patina, cast in three segments. · 1600
The Metropolitan Museum of Art
Cupid on Horseback
Francesco Fanelli
Copper alloy, covered with a dark brown lacquer patina. · 1600
The Metropolitan Museum of Art
Woman in a Black Kimono
Katsukawa Shunshō
Hanging scroll; ink, color, and gold on silk · 1600
The Metropolitan Museum of Art
The Elements: Fire
Christoph Murer
Painted and stained glass · 1600
The Metropolitan Museum of Art
Fan leaf with acanthus scrolls and dolphins
Nicolas Pierre Loir
Etching · 1600
The Metropolitan Museum of Art
The Ferryboat
Hendrick Avercamp
Pen and brown ink, with watercolor, over graphite; framing line in pen and brown ink · 1600
The Metropolitan Museum of Art
Seated Female Nude
Domenico Tintoretto
Black and white chalk on blue paper · 1600
The Metropolitan Museum of Art
Pineapple cup (Hanap)
M P Landis
Silver, partly gilded · 1600
The Metropolitan Museum of Art
Study of Two Cows
Aelbert Cuyp
Black chalk and black and gray wash (remains of framingline in red chalk) · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
The departure of the prodigal son, shown at about to mount his horse, from a series of four prints
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
St. Bonifacius and St. Homobonus, Patron Saints of Tailors
Pieter de Jode II
Engraving · 1600
The Metropolitan Museum of Art