Database / Artworks
Artworks
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Saints John the Evangelist, Paul, Peter, and Stephen
Ferraù Fenzoni
Black chalk, pen and brown ink, brush and brown wash · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Allegory of America, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Africa, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Europe, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Saint Jerome
Pieter de Jode I
Engraving · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
The Holy Women at the Sepulchre
Sisto Badalocchio
Pen and brown ink, brush and brown wash, highlighted with white · 1585
The Metropolitan Museum of Art
Joachim Patinir
Aegidius Sadeler, II
Engraving · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Song of the Lute
Ding Yunpeng
Hanging scroll; ink and color on paper · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Guglielmo della Porta
Bronze · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
The Virgin Surrounded by Angels and Representatives of Secular and Ecclesiastical Authorities
Pieter de Jode I
Pen and brown ink, brush and brown wash; framing lines in pen and brown ink; indented for transfer · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
The Holy Family with young John the Baptist and Saint Elizabeth, two angels above
Guido Reni
Etching · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art