Database / Artworks
Artworks
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Ecce Homo
Hans von Aachen
Pen and brown ink, brush and gray wash, over black chalk · 1585
The Metropolitan Museum of Art
The Liberation of Oriane from a set of Amadis of Gaul
Karel van Mander II
Wool and silk (8-9 warps per cm) · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Mars and Venus Trapped by Vulcan
Guglielmo della Porta
Gilt bronze · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
The Holy Women at the Sepulchre
Sisto Badalocchio
Pen and brown ink, brush and brown wash, highlighted with white · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Portrait of a Woman
Nicholas Hilliard
Vellum laid on card · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
Casket
Wenzel Jamnitzer I
Gilded yellow metal, silver · 1585
The Metropolitan Museum of Art
Ewer
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Agostino Carracci
Engraving, second state · 1585
The Metropolitan Museum of Art
Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art
Song of the Lute
Ding Yunpeng
Hanging scroll; ink and color on paper · 1585
The Metropolitan Museum of Art
Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art
Basin
Bernard Palissy
Lead-glazed earthenware · 1585
The Metropolitan Museum of Art
Rape of a Sabine Woman
Andrea Andreani
Chiaroscuro woodcut from three blocks in gray-brown · 1584
The Metropolitan Museum of Art
Entombment
François Perrier
1584
The Metropolitan Museum of Art
Boat Moored on a Beach by a Wooden Palisade (recto); Study of Trees (verso)
Jan Porcellis
Black chalk and black wash (recto); pen and brown ink (verso) · 1584
The Metropolitan Museum of Art