Database / Artworks
Artworks
The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
Portrait of a Young Man
Agnolo Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Recluse playing the zither in a pine grove
Wen Zhengming
Hanging scroll; ink on paper · 1530
The Metropolitan Museum of Art
The Annunciation
Battista Franco Veneziano
Etching and Engraving · 1530
The Metropolitan Museum of Art
Studies for an Altarpiece with the Virgin Enthroned, Attended by Four Saints (recto); Various Figure Studies, Some Possibly for a Deposition of Christ (verso)
Polidoro da Caravaggio
Pen and brown ink, some brush and brown wash · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Holbein, Hans, the younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Crinet Plate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Vamplate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, gold, paint · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art
Spring
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Winter
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art
The Adoration of the Shepherds
Pieter van der Heyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
The Mystic Marriage of St. Catherine
Marco Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Design for a Candlestick
Giulio Romano
Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge · 1530
The Metropolitan Museum of Art
Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art
The Sibyl Aprippa
Léonard Limosin
Painted enamel on copper, partly gilt · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
The Good Samaritan
Hanns Lautensack
Etching · 1530
The Metropolitan Museum of Art