Database / Artworks
Artworks
Peasant's Cottage (recto); Bridge and Gate (verso)
Abraham Bloemaert
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Bridge and Gate (verso)
Abraham Bloemaert
pen and brown ink and brush and brown, red, green, yellow and blue wash, over red and black chalk · 1605
Cleveland Museum of Art
Peasant's Cottage (recto)
Abraham Bloemaert
pen and brown ink with brush and brown, blue, red and yellow wash, over black and red chalk · 1605
Cleveland Museum of Art
Elisha and Elijah's Chariot of Fire
Abraham Bloemaert
engraving · 1604
Cleveland Museum of Art
The Prediction of Ahijah
Abraham Bloemaert
engraving · 1604
Cleveland Museum of Art
The Circumcision
Abraham Bloemaert
Pen and brown ink and brush and brown wash, heightened with white opaque watercolor, over black chalk, on buff laid paper, laid down on buff laid card · 1601
Art Institute of Chicago
Roman Soldiers Stoning a Serpent
Abraham Bloemaert
Pen and brown ink, with brush and brown wash, over touches of black chalk, on ivory laid paper, tipped on blue laid paper with red fibers · 1600
Art Institute of Chicago
Two Female Heads
Abraham Bloemaert
red chalk heightened with white chalk; framing lines in brown ink · 1600
Cleveland Museum of Art
Moses Striking the Rock
Abraham Bloemaert
Oil on canvas · 1596
The Metropolitan Museum of Art
Study of the Head of a Bearded Man
Abraham Bloemaert
Black chalk, with brush and black chalk wash, heightened with opaque white watercolor, over touches of charcoal, on tan laid paper · 1595
Art Institute of Chicago
A standing soldier, a standing woman, and a stooping drummer
Abraham Bloemaert
Pen and brown ink, with brush and brown wash, on ivory laid paper, laid down on cream wove paper · 1593
Art Institute of Chicago
Acis and Galatea
Abraham Bloemaert
pen · 1590
National Gallery of Art
Without Ceres and Bacchus, Venus Would Freeze
Abraham Bloemaert
Pen and brown ink, with brush and brown wash, over traces of charcoal, heightened with opaque white watercolor (partially discolored), on buff laid paper · 1590
Art Institute of Chicago
The Three Fates
Abraham Bloemaert
Pen and black ink over pen and brown ink, and brush and brown wash wash, on cream laid paper · 1590
Art Institute of Chicago
Charity
Abraham Bloemaert
oil on wood · 1585
Cleveland Museum of Art
Saint John the Evangelist
Abraham Bloemaert
Pen and brown ink, with brush and brown wash, over traces of black chalk, on buff laid paper, pieced together · 1584
Art Institute of Chicago
Caritas Romana
Abraham Bloemaert
Brush and brown ink with wash, over traces of black chalk, on off white laid paper, laid down on cream card · 1584
Art Institute of Chicago
R
Raising of Lazarus (Reverse Copy)
Abraham Bloemaert
Engraving · 1580
The Metropolitan Museum of Art
S
Study of a Headless Draped Figure with Arms Crossed; verso: Figure of a Man in a Voluminous robe, Seen from Behind
Abraham Bloemaert
Red chalk heightened with white, framing line in pen and brown ink; verso: red and white chalk · 1580
The Metropolitan Museum of Art
S
Saint Paul Seated, with his Conversion in the Background; Verso: Figure Sketch
Abraham Bloemaert
Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen and black ink · 1580
The Metropolitan Museum of Art
S
Studies of Two Pollard Willows; Verso: Wide Landscape Prospect
Abraham Bloemaert
Pen and brown ink, watercolor, traces of black chalk, framing line in pen and brown ink; verso black chalk and watercolor · 1580
The Metropolitan Museum of Art
T
The Judgment of Paris
Abraham Bloemaert
Pen and brown ink, brush and brown wash; framing lines in pen and brown ink · 1580
The Metropolitan Museum of Art
S
Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right
Abraham Bloemaert
Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk · 1580
The Metropolitan Museum of Art
C
Christ and the Canaanite Women
Abraham Bloemaert
Pen and brown ink, brown wash, heightening with white, over black chalk, on beige paper; traces of framing line in pen and brown ink · 1580
The Metropolitan Museum of Art