Database / Artworks
Artworks
Charger
Sebald Ruprecht
Pewter · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Drouart
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Conversion of Saint Paul
Antonietta Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Navot
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Antonietta Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Shammaa
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Hefti
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Hefti
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro
Oil on canvas · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Durans
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Medal
European School
Silver · 1700
Art Institute of Chicago
Theodosius Repulsed from the Church by Saint Ambrose
Alessandro Magnasco
Oil on canvas · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphael Adjetey Adjei Mayne
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Adjetey Adjei Mayne
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Seated Male Near Female
Johann Zoffany
Black chalk on ivory laid paper · 1700
Art Institute of Chicago
Pietà
Massimiliano
Terracotta · 1700
Art Institute of Chicago
Look at This Sword, Was it to Be Resisted?, from Eleanora: from the Sorrows of Werter
Haggitt
Pen and brown ink, over graphite, on ivory laid paper · 1700
Art Institute of Chicago
Allegory of the Elevation of Cardinal Deacon Oddone Colonna to the Papal Chair as Pope Martin V
Benedetto Luti
Pen and brown ink and brush and brown wash, over black and red chalk, heightened with white opaque watercolor, on joined sheets of laid paper, mounted to paperboard · 1700
Art Institute of Chicago
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Antonio Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago
Prometheus Taking Fire From Olympus
Ludovico Cardi
Pen and brown ink with brush and gray wash, over traces of black chalk, on tan laid paper · 1700
Art Institute of Chicago
Candlestick
Meissen Porcelain Manufactory
Hard-paste porcelain, polychrome enamels, and gilding · 1700
Art Institute of Chicago
Plate
A. Karst
Pewter · 1700
Art Institute of Chicago
Waterfalls and Woods
Amos Green
Pen and black ink and brush and black and gray wash on cream wove paper, laid down on cream wove paper, laid down on cream wove paper · 1700
Art Institute of Chicago
Sketches of Ladies and Gentlemen, Dancers
Imitator of Jean Antoine Watteau
Pen and black ink on ivory laid paper · 1700
Art Institute of Chicago