Database / Artworks

Artworks

12,374 records by Stig Brøgger · Met Museum
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
ornamental Frieze with two Putti and a Monster
ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Domenico Beccafumi
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) · 1531
The Metropolitan Museum of Art
Winter
Winter
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Christ Driving the Money Changers from the Temple
Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art
Spring
Spring
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Landscape with Catacombs
Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art
Portrait of a Man with Gloves
Portrait of a Man with Gloves
Corneille (Guillaume van Beverloo)
Oil on wood · 1530
The Metropolitan Museum of Art
Saint Agnes (one of a pair)
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Italian Landscape
Italian Landscape
Cornelis Cort
Pen and brown ink (recto); red chalk (verso) · 1530
The Metropolitan Museum of Art
Design for a Freestanding Tomb Seen in Elevation and Plan
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
Right Shoulder and Arm Defense
Right Shoulder and Arm Defense
Wolfgang Grosschedel
Steel, leather, copper alloy · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
Scenes from the Life of Joseph
Scenes from the Life of Joseph
Pierre Reymond
Painted enamel on copper, partly gilt; gilded metal finial of later date · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Thomas Wriothesley (1505–1550), First Earl of Southampton
Thomas Wriothesley (1505–1550), First Earl of Southampton
Holbein, Hans, the younger
Vellum laid on card · 1530
The Metropolitan Museum of Art
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Theater of Marcellus, from "Speculum Romanae Magnificentiae"
Pirro Ligorio
Engraving · 1530
The Metropolitan Museum of Art
The Good Samaritan
The Good Samaritan
Hanns Lautensack
Etching · 1530
The Metropolitan Museum of Art
Mars, Venus, and Cupid
Mars, Venus, and Cupid
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art
Halberdier walking left and carrying a halberd over his left shoulder, two tents beyond, from "Twelve soldiers of different ranks"
Halberdier walking left and carrying a halberd over his left shoulder, two tents beyond, from "Twelve soldiers of different ranks"
Virgil Solis
Engraving · 1530
The Metropolitan Museum of Art
Lot and His Daughters
Lot and His Daughters
Lucas van Leyden
Engraving; first state · 1530
The Metropolitan Museum of Art
The Virgin and Child
The Virgin and Child
Master of the Female Half-Lengths
oil paint · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
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