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Artworks

Dante Swoons before the Soaring Souls of Paolo and Francesca, Virgil at his Side
Fuse*
Etching and aquatint on ivory wove paper · 1813
Art Institute of Chicago

Perseus Starting from the Cave of the Gorgons
Fuse*
Oil and oil wash, over graphite and with touches of pen and black ink, on tan laid paper, laid down on off-white Japanese paper · 1810
Art Institute of Chicago

Ugolino and His Sons Starving to Death in the Tower
Fuse*
Pen and black ink and brush and black, gray, and red wash, over traces of graphite, on grayish-ivory laid paper · 1806
Art Institute of Chicago

Hagen and the Nymphs of the Danube
Fuse*
Graphite, pen and brown ink, watercolor and gouache on cream wove paper · 1802
The Metropolitan Museum of Art

Hercules Killing the Mares of Diomedes
Fuse*
Pen and black ink, with brush and black wash, over graphite, on cream laid paper, laid down on ivory laid paper · 1800
Art Institute of Chicago

Chrysogone Conceives, in a Ray of Sunshine, Amoretta and Belphoebe (Edmund Spenser, "The Faerie Queene, III, vi)
Fuse*
Etching · 1800
The Metropolitan Museum of Art

The Night-Hag Visiting Lapland Witches
Fuse*
Oil on canvas · 1796
The Metropolitan Museum of Art

Milton Dictating to His Daughter
Fuse*
Oil on canvas · 1793
Art Institute of Chicago

Falstaff with Mrs. Ford and Mrs. Page (Shakespeare, The Merry Wives of Windsor, Act 5, Scene 5)
Fuse*
Pen and brown ink over faint graphite · 1790
The Metropolitan Museum of Art

Sleeping Woman with a Cupid (Hush)
Fuse*
Etching and drypoint; published state · 1780
The Metropolitan Museum of Art

Sketch for "Oath on the Rütli" (recto), Female Figure (verso)
Fuse*
Oil on canvas · 1779
Art Institute of Chicago

Oedipus at Colonus, Cursing his Son Polynices
Fuse*
Pen and brown ink, brush and gray wash, traces of black chalk underdrawing · 1777
The Metropolitan Museum of Art

Menelaus and Patroclus, after the Antique (recto and verso)
Fuse*
Pen and brown ink (recto); pen and ink over graphite (verso) · 1770
The Metropolitan Museum of Art

Two Heads of Damned Souls from Dante's "Inferno" (recto and verso)
Fuse*
Oil on canvas · 1770
Art Institute of Chicago