Database / Artworks
Artworks
Cover to A Glove
Max Klinger
Cover sheet for portfolio · 1881
Art Institute of Chicago
Vignette (in-text plate, title page) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etched title page from a portfolio of seven etchings, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Battling Centaurs (Kämpfende Centauren) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Landslide (Bergsturz) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Pursued Centaur (Verfolgter Centaur) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius at the Hermit's Grave (Simplicius am Grabe des Einsiedlers) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius' Writing Lesson (Simplici Schreibstunde) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius among the Soldiers (Simplicius unter den Soldaten) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Simplicius in the Wilderness (Simplicius in der Waldeinöde) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
By the Sea (Am Meer) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Fallen Rider (Gefallener Reiter) from Intermezzi, Opus IV
Max Klinger
Etching with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Moonlight (Mondnacht) from Intermezzi, Opus IV
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etching and aquatints and five etchings, all with chine collé · 1881
Museum of Modern Art
Repose (Ruhe) (plate VIII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Rescuse (Rettung) (plate IV) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Cupid (Amor) (plate X) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Yearnings (Wünsche) (plate III) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Fears (Ängste) (plate VII) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Triumph (plate V) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Abduction (Entführung) (plate IX) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Place (Ort) (plate I) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching and aquatint with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Action (Handlung) (plate II) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Homage (Huldigung) (plate VI) from A Glove, Opus VI (Ein Handschuh, Opus VI)
Max Klinger
Etching with chine collé from a portfolio of seven etchings with chine collé, three etching and aquatints with chine collé and etched title page · 1881
Museum of Modern Art
Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition
Max Klinger
Etching, drypoint and aquatint on chine collé; first edition · 1881
The Metropolitan Museum of Art