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Artworks

155 records by Max Klinger
Self-Portrait with Fist to Face
Self-Portrait with Fist to Face
Max Klinger
Aquatint on cream wove Japanese vellum · 1918
Art Institute of Chicago
Standing Nude
Standing Nude
Max Klinger
black chalk with gouache on brown paper · 1914
National Gallery of Art
Galatea
Galatea
Max Klinger
Cast silver; marble · 1906
The Metropolitan Museum of Art
Plague (Pest) (plate 5) for the portfolio On Death, Part II, Opus XIII (Vom Tode, Zweiter Teil, Opus XIII)
Plague (Pest) (plate 5) for the portfolio On Death, Part II, Opus XIII (Vom Tode, Zweiter Teil, Opus XIII)
Max Klinger
Etching · 1903
Museum of Modern Art
The Philosopher (Der Philosoph) (plate, preceding p. 97) from the periodical Pan, vol. 1, no. 2 (Jul-Aug 1895)
The Philosopher (Der Philosoph) (plate, preceding p. 97) from the periodical Pan, vol. 1, no. 2 (Jul-Aug 1895)
Max Klinger
Aquatint and etching · 1895
Museum of Modern Art
Brahms Fantasie (Opus XII)
Brahms Fantasie (Opus XII)
Max Klinger
aquatint on paper · 1894
Rijksmuseum
Erinnerung (Memory)
Erinnerung (Memory)
Max Klinger
etching and mezzotint on wove cream paper · 1892
National Gallery of Art
A Standing Nude
A Standing Nude
Max Klinger
mezzotint and etching on japan paper · 1891
National Gallery of Art
On the Rails, plate eight from On Death, Part I
On the Rails, plate eight from On Death, Part I
Max Klinger
Etching and aquatint on cream wove paper · 1889
Art Institute of Chicago
Philosopher, plate three from One Death, Part II
Philosopher, plate three from One Death, Part II
Max Klinger
Etching and aquatint on dark cream wove paper · 1889
Art Institute of Chicago
Dead Mother, plate ten from On Death, Part II
Dead Mother, plate ten from On Death, Part II
Max Klinger
Etching in black ink on lightweight cream wove paper, laid down on cream wove paper (chine collé) · 1889
Art Institute of Chicago
The Chronicler (recto and verso)
The Chronicler (recto and verso)
Max Klinger
Graphite, heightened with white goauche (recto and verso), on tan wove paper · 1888
Art Institute of Chicago
Night, from On Death Part I
Night, from On Death Part I
Max Klinger
Etching, aquatint and burnishing in black ink on ivory wove paper · 1888
Art Institute of Chicago
At the Gate (Am Thor)
At the Gate (Am Thor)
Max Klinger
etching on Japan paper · 1887
National Gallery of Art
At the Gate (Am Thor)
At the Gate (Am Thor)
Max Klinger
etching · 1887
National Gallery of Art
Shame, plate nine from A Love
Shame, plate nine from A Love
Max Klinger
Etching, engraving, and aquatint on cream wove paper · 1887
Art Institute of Chicago
Dedication, plate one from A Love
Dedication, plate one from A Love
Max Klinger
Etching and engraving on ivory wove paper · 1887
Art Institute of Chicago
The Castle by the Sea
The Castle by the Sea
Max Klinger
Etching and aquatint on ivory wove paper, laid down on ivory wove paper · 1887
Art Institute of Chicago
The Isle of the Dead
The Isle of the Dead
Max Klinger
Etching and aquatint in black ink on ivory wove paper, laid down on ivory wove plate paper (chine collé) · 1887
Art Institute of Chicago
Awakening, plate eight from A Love
Awakening, plate eight from A Love
Max Klinger
Etching and engraving on cream wove paper · 1887
Art Institute of Chicago
Herod (Herodes) (plate 6) from the portfolio On Death, Part I, Opus XI (Vom Tode, Erster Teil, Opus XI)
Herod (Herodes) (plate 6) from the portfolio On Death, Part I, Opus XI (Vom Tode, Erster Teil, Opus XI)
Max Klinger
Etching and aquatint with chine collé · 1885
Museum of Modern Art
Historia, Modernitas, Pictura sacra, Homer, from A Life
Historia, Modernitas, Pictura sacra, Homer, from A Life
Max Klinger
Zincograph in black on cream laid paper · 1884
Art Institute of Chicago
Title Page: A Life
Title Page: A Life
Max Klinger
Two etchings on one sheet of cream laid paper · 1884
Art Institute of Chicago
Christ and the Samaritan Woman, from A Life
Christ and the Samaritan Woman, from A Life
Max Klinger
Drypoint and aquatint, with etching on ivory China paper, laid down on cream laid paper · 1884
Art Institute of Chicago
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