Database / Artworks
Artworks

Legs and Feet of Male Nude
Michelangelo
Pen and brown ink, on cream wove paper prepared with a pale brown wash · 1812
Art Institute of Chicago

Moses
Michelangelo
Red chalk on ivory laid paper, laid down on gray wove paper · 1730
Art Institute of Chicago

Left Hand of Moses
Michelangelo
Red chalk counterproof, with traces of brown chalk, on cream laid paper · 1725
Art Institute of Chicago

The Denial of Saint Peter
Michelangelo
Oil on canvas · 1610
The Metropolitan Museum of Art

Two Alternatives Designs for a Cartouche Decorated with a Frame, Statues, and Volutes.
Michelangelo
Pen and brown ink, over traces of black chalk · 1604
The Metropolitan Museum of Art

The Musicians
Michelangelo
Oil on canvas · 1597
The Metropolitan Museum of Art

Saint Jerome in the wilderness, with a lion at left
Michelangelo
Engraving · 1578
The Metropolitan Museum of Art
The Prophet Joel
Michelangelo
engraving · 1570
Cleveland Museum of Art
![Male Nude [verso]](https://api.nga.gov/iiif/cdebdf5b-cf2f-4a1d-9353-9c85026ae7f2/full/!800,800/0/default.jpg)
Male Nude [verso]
Michelangelo
black chalk on laid paper · 1560
National Gallery of Art
![Male Nude [recto]](https://api.nga.gov/iiif/fcbfd97b-8910-4f30-b7cb-2b405daca127/full/!800,800/0/default.jpg)
Male Nude [recto]
Michelangelo
black chalk on laid paper · 1560
National Gallery of Art

Design for an Equestrian Statue of Henry II of France
Michelangelo
chalk, paper · 1559
Rijksmuseum

Christ and the Two Thieves Crucified
Michelangelo
Bronze · 1555
The Metropolitan Museum of Art

Drunkenness of Noah
Michelangelo
Pen and brown ink on tan laid paper, laid down on ivory laid paper · 1550
Art Institute of Chicago

Ascending Male Nude
Michelangelo
Black chalk on tan laid paper · 1550
Art Institute of Chicago

Kneeling Mother Embracing Child
Michelangelo
Black chalk heightened with white chalk, on brown laid paper, laid down on ivory laid paper · 1548
Art Institute of Chicago

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art
Figure Studies for the Sistine Ceiling (verso)
Michelangelo
red chalk heightened with traces of white · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto); Figure Studies for the Sistine Ceiling (verso)
Michelangelo
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
Study for the Nude Youth over the Prophet Daniel (recto)
Michelangelo
red chalk over black chalk or charcoal · 1510
Cleveland Museum of Art
The Climbers (Three Figures from Michelangelo's Battle of Cascina)
Michelangelo
engraving · 1510
Cleveland Museum of Art

Twee koppen
Michelangelo
paper, chalk · 1502
Rijksmuseum

Two Nudes Fighting
Michelangelo
pen and brown ink on laid paper; laid down · 1500
National Gallery of Art

Archers Shooting at a Herm, Triumph of Bacchus, and Other Studies
Michelangelo
Pen and brown ink, and brush and gray and brown wash, on tan laid paper, laid down on cream laid card · 1495
Art Institute of Chicago