Database / Artworks
Artworks
Design for a Freestanding Tomb Seen in Elevation and Plan
Antonio da Sangallo the Younger
Pen and brown ink, brush and brown wash, over extensive compass-incised and stylus-ruled construction with pin-pricked measurements · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art
Double Goblet with Oval Decorations
Hans Sebald Beham
Engraving · 1530
The Metropolitan Museum of Art
Spring
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Scenes from the Life of Joseph
Pierre Reymond
Painted enamel on copper, partly gilt; gilded metal finial of later date · 1530
The Metropolitan Museum of Art
Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art
An Eagle Preaching to the Animals
Marcus Gheeraerts the Elder
Pen and brown ink, over red chalk · 1530
The Metropolitan Museum of Art
Winter
Battista Angolo del Moro
Etching · 1530
The Metropolitan Museum of Art
Grotesque Winding Column in St. Peter's, from "Speculum Romanae Magnificentiae"
Nicolas Beatrizet
Engraving · 1530
The Metropolitan Museum of Art
Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art
An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art
Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art
Charles de Cossé (1506–1563), Count of Brissac
Jean Clouet
Vellum · 1530
The Metropolitan Museum of Art
Jupiter Hurling a Thunderbolt
Giulio Romano
Pen and brown ink, brush and brown wash, black chalk underdrawing, with traces of red chalk on laid paper · 1530
The Metropolitan Museum of Art
Vamplate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, gold, paint · 1530
The Metropolitan Museum of Art
Crinet Plate Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
Portrait of a Young Man
Bronzino
Oil on wood · 1530
The Metropolitan Museum of Art
Shaffron (Horse's Head Defense) Belonging to an Armor for Field and Tournament Made for Duke Nikolaus "The Black" Radziwill (1515–1565), Duke of Nesvizh and Olyka, Prince of the Empire, Grand Chancellor and Marshal of Lithuania
Kunz Lochner
Steel, brass, gold, paint · 1530
The Metropolitan Museum of Art
The Good Samaritan
Hanns Lautensack
Etching · 1530
The Metropolitan Museum of Art
Halberdier walking left and carrying a halberd over his left shoulder, two tents beyond, from "Twelve soldiers of different ranks"
Virgil Solis
Engraving · 1530
The Metropolitan Museum of Art
Design for a Candlestick
Giulio Romano
Pen and brown ink, light brown wash, over traces of black chalk and some incised lines made with a straight edge · 1530
The Metropolitan Museum of Art
Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art
Virgin and Child (The Immaculate Conception)
Diana Scultori
1530
The Metropolitan Museum of Art