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Artworks

10 records by Stefano Pozzi
The Circumcision
The Circumcision
Stefano Pozzi
Oil on canvas · 1755
Art Institute of Chicago
Angel Holding Flowers and Scourge
Angel Holding Flowers and Scourge
Stefano Pozzi
Black chalk, heightened with white chalk, on blue laid paper, tipped onto cream wove paper · 1751
Art Institute of Chicago
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma
Nuova pianta di Roma data in luce da Giambattista Nolli l’anno MDCCXLVII, known as La Pianta Grande di Roma
Stefano Pozzi
etching and engraving · 1748
Cleveland Museum of Art
Antiochus Yearning for Stratonice
Antiochus Yearning for Stratonice
Stefano Pozzi
Oil on canvas · 1735
Art Institute of Chicago
Allegorical Ceiling Decoration with Justice, Charity, and Fortitude
Allegorical Ceiling Decoration with Justice, Charity, and Fortitude
Stefano Pozzi
Charcoal with stumping, heightened with white chalk, on blue laid paper · 1727
Art Institute of Chicago
The Presentation in the Temple
The Presentation in the Temple
Stefano Pozzi
Oil on canvas · 1707
Art Institute of Chicago
The Contest of Elijah and the Prophets of Baal on Mount Carmel (I Kings 18: 20-46)
The Contest of Elijah and the Prophets of Baal on Mount Carmel (I Kings 18: 20-46)
Stefano Pozzi
Black chalk, highlighted with white chalk, on blue paper faded to brown · 1699
The Metropolitan Museum of Art
Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)
Venus in the Forge of Vulcan (Aeneid VIII: 370 ff)
Stefano Pozzi
Black chalk, highlighted with white chalk, on blue-green paper · 1699
The Metropolitan Museum of Art
Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)
Venus Disguised as a Huntress Appears to Aeneas (Aeneid I: 305 ff.)
Stefano Pozzi
Black chalk, highlighted with white chalk, on blue paper · 1699
The Metropolitan Museum of Art
Boreas and Orithyia
Boreas and Orithyia
Stefano Pozzi
Black chalk and black crayon, heightened with touches of white chalk, squared in black chalk on blue laid paper, laid down on ivory laid card · 1654
Art Institute of Chicago