Database / Artworks
Artworks
The Cumaean Sibyl before Tarquin the Proud
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache, on traces of leadpoint or black chalk · 1520
The Metropolitan Museum of Art
Historical Scene (Composition Study for Chapelle de Guise)
Niccolò dell' Abate
Pen and brown ink, highlighted with white gouache over traces of black chalk; framing outlines with pen and brown ink · 1520
The Metropolitan Museum of Art
Christ Crowned with Thorns
Lucas van Leyden
Engraving; second state · 1519
The Metropolitan Museum of Art
Emperor Antoninus Pius
Antico
Bronze, partially oil-gilt, silver inlay, on serpentinite socle · 1519
The Metropolitan Museum of Art
Virgin and Child with Saint Anne
Albrecht Dürer
Oil on linden · 1519
The Metropolitan Museum of Art
Daniel de Hanna d. 1580 (a member of the well-known Flemish merchant family that settled in Venice in the early 16th century)
Leone Leoni
Bronze · 1519
The Metropolitan Museum of Art
Study for a Standing Young Man, Raising a Curtain and Looking at Left
Baccio Bandinelli
Red chalk · 1518
The Metropolitan Museum of Art
Study for a Standing Young Man, Raising a Curtain and Looking at Left
Baccio Bandinelli, Italian
Red chalk · 1518
The Metropolitan Museum of Art
Procession of the Counts and Countess of Holland on Horseback: Mary of Burgundy, Maximilian I, Philip the Fair, and Charles V
Jacob Cornelisz. van Oostsanen
Woodcut · 1518
The Metropolitan Museum of Art
Procession of the Counts and Countess of Holland on Horseback: Mary of Burgundy, Maximilian I, Philip the Fair, and Charles V
Jacob Cornelisz van Oostsanen
Woodcut · 1518
The Metropolitan Museum of Art
Esther before Ahasuerus
Lucas van Leyden
Engraving; third state · 1518
The Metropolitan Museum of Art
Mary seated beneath trees with baby, flanked by Joseph at left and St. Jerome at right; St. John the Baptist seated in the foreground holding a cross; a man stooping to pick up a child at left; a lion seen from behind at right; a town in the background
Domenico Campagnola, Italian
Woodcut · 1517
The Metropolitan Museum of Art
Benedikt von Hertenstein (born about 1495, died 1522)
Hans Holbein the Younger
Oil and gold on paper, laid down on wood · 1517
The Metropolitan Museum of Art
Roundel of The Planet Venus and Her Children
Jörg Breu the Elder
Colorless glass, vitreous paint, silver stain · 1517
The Metropolitan Museum of Art
The Annunciation
Antonio Allegri Da Correggio
Pen and brown ink, brush and gray-brown wash, highlighted with white gouache, squared in red chalk, on paper tinted with reddish wash · 1517
The Metropolitan Museum of Art
The Massacre of the Innocents (Left side), with man on horseback at center left, women and children below, group of figures standing on steps above, Herod seated on throne at upper right
Domenico Campagnola, Italian
Woodcut · 1517
The Metropolitan Museum of Art
Mountainous Landscape with a Rock, Trees, and Buildings
Domenico Campagnola, Italian
Pen and brown ink · 1517
The Metropolitan Museum of Art
Anna van Bergen (1492–1541) and Her Son Hendrik (born 1519) as the Virgin and Child
Jan Gossart
Oil on wood · 1517
The Metropolitan Museum of Art
Benedikt von Hertenstein (born about 1495, died 1522)
Holbein, Hans, the younger
Oil and gold on paper, laid down on wood · 1517
The Metropolitan Museum of Art
The Virgin at top center in clouds with clasped hands and right foot raised, surrounded by cherubin; below, the twelve apostles stand together gesturing upwards
Domenico Campagnola, Italian
Engraving · 1517
The Metropolitan Museum of Art
The Annunciation
Correggio
Pen and brown ink, brush and gray-brown wash, highlighted with white gouache, squared in red chalk, on paper tinted with reddish wash · 1517
The Metropolitan Museum of Art
Creation of Eve
Vincenzo Tamagni
Pen and brown ink · 1517
The Metropolitan Museum of Art
Concert champêtre
Girolamo Romanino
Pen and brown ink, brown wash, over black chalk. · 1517
The Metropolitan Museum of Art
The Parable of the Beam and the Mote
Netherlandish
Pen and brown ink over traces of black chalk; original borderlines at left and right edges. · 1517
The Metropolitan Museum of Art