Database / Artworks
Artworks
Conversion of Saint Paul
Antonietta Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael, Italian
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Architect Submitting Designs to Patron
Francesco Fontebasso
Pen and black ink, and brush and gray wash, on cream laid paper · 1700
Art Institute of Chicago
Procession of Figures
Masaccio
Pen and brown ink, with brush and brown wash, over graphite, on cream wove paper · 1700
Art Institute of Chicago
Louis XVI and Marie Antoinette
Benjamin Du Vivier
Bronze · 1700
Art Institute of Chicago
Medal
North European
Silver · 1700
Art Institute of Chicago
Sketches of Four Draped Female Figures (for Pendentives)
Pierre Hubert Subleyras
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Rider Visiting Farm
John Inigo Richards
Pen and black ink, with brush and gray wash, on cream wove paper · 1700
Art Institute of Chicago
Allegory in Honor of Grand Duke Gian-Gastone de' Medici
Pietro Novelli
Pen and brown ink, with traces of brush and brown ink, over black chalk on ivory laid paper · 1700
Art Institute of Chicago
Four Accomplishments (Kinkishoga 琴棋書画図)
Kanô Tsunenobu
Ink and colors on silk · 1700
Art Institute of Chicago
Portrait of Hyacinthe Rigaud
Pierre Drevet
Engraving on ivory wove paper · 1700
Art Institute of Chicago
Mater Dolorosa
Pierre Hubert Subleyras
Red chalk on ivory laid paper · 1700
Art Institute of Chicago
The Courtesan Senzan of the Chojiya, from the series "Beauties of the Five Festivals (Bijin gosekku)"
Ichirakutei Eisui
Color woodblock print; oban · 1700
Art Institute of Chicago
Portrait of a Gentleman
Christian Friedrich Zincke
porcelain · 1700
Art Institute of Chicago
Sketch of a Male Nude Leaning on Right Elbow (recto)
Charles-Antoine Coypel
Black crayon and red chalk, on buff laid paper · 1700
Art Institute of Chicago
Vestment for a First-Degree Taoist Priest
Han-Chinese
Silk, warp-float faced 7:1 satin weave; embroidered with silk, peacock-feather-wrapped silk, gold-leaf-over-lacquered-paper-strip-wrapped silk, and gold-leaf-over-lacquered paper in surface satin stitches; laid work and couching; appliquéd with forms of silk, plain weaves between two layers of paper, some with gold- and silver-leaf-over-lacquered paper, and embroidered with silk in chain and knot stitches, needle looping with laid thread and darned bars, and silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, laid work and couching; edged with cotton, plain weave; lined with ramie, plain weave; metal button · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight with a Geometric Pattern
Asante
Copper alloy · 1700
Art Institute of Chicago
Cushion Cover
Manchu
Silk and gold-leaf-over-lacquered-paper-strip-wrapped silk, slit and dovetailed tapestry weave with interlaced outlining wefts; painted details; lined with silk, warp-float faced 7:1 satin weave · 1700
Art Institute of Chicago
Conversion of Saint Paul
Raphaelle Peale
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphaelle Peale
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Portrait of a Man
Charles Claude Dubut
Wax on slate · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Raphael Roussel
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago