Database / Artworks
Artworks
P
Plate 7: The Pyramids in Egypt, from 'The Seven Wonders of The World'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Boar of Erymanthus: Hercules holds down the boar's snout with his left hand and raises his club with his right hand, in the middle ground Hercules carries the boar on his shoulders, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Oxen of Geryones: with a club raised by his right hand, Hercules confronts a group of galloping oxen, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Mares of Diomedes: Hercules grasps the bridle of a rearing horse, a second horse tramples a figure in at right, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Hind of Mount Cerynea: Hercules strides alongside the hind and grasps the base of one antler with his right hand, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Hydra of Lerna: Hercules grasps his club with both hands and confronts the seven-headed hydra, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Serpent Ladon: Hercules draws his bow, the rearing serpent appears in profile, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
P
Plate 5: Tomb of Mausolus, stone masons make a column at the right, from The Seven Wonders of the World
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
N
Nessus attempting to take Dejanira from Hercules: Nessus restrains Dejanira on his back while striding to the right, Hercules draws his arrow at left, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
H
Hercules and the Nemean Lion: Hercules grasps the front right leg of the lion, which lifts its snout upward, in the middle ground Hercules pulls the skin from the lion's corpse, from the series 'The Labors of Hercules'
Antonio Tempesta
Etching · 1608
The Metropolitan Museum of Art
M
Metamorphoses
Antonio Tempesta
Pen and ink on cream paper, laid down on cream laid paper · 1606
Art Institute of Chicago
P
Plate 71: Procris Killed by Cephalus's Javelin (Procridem inscius interficit Cephalus), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 111: Aesacus and Hespeia (Aesacus Eperies mortem dolens ex scopulo se praecipitans abit in mergum), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 67: Medea Destroying Jason's Family and Home (Trucidatis liberis Medea fugam capeßit), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 66: Cycnus and Hyrie (Cygnus in olorem Hiere in stagnum vertuntur), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 65: Medea Urging the Daughters of King Pellias to Murder Their Father (Medea Peliades in parricidium stimulat), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 64: Medea Restoring Aeson's Youth (Aesoni decrepito iuventam restituit Medea), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art
P
Plate 96: Venus and Adonis Embracing (Perditè a Venere adamatur Adonis), from Ovid's 'Metamorphoses'
Antonio Tempesta
Etching · 1606
The Metropolitan Museum of Art