Database / Artworks
Artworks
Pair of Gauntlets Belonging to the Armor of Duke Friedrich Ulrich of Brunswick (1591–1634)
Royal Workshops at Greenwich
Steel, gold, leather, textile, copper alloy · 1587
The Metropolitan Museum of Art
Mary, Queen of Scots
Léonard Gaultier
Engraving · 1587
The Metropolitan Museum of Art
Hercules and Cerberus
Aegidius Sadeler II
Engraving · 1586
The Metropolitan Museum of Art
Studies of Fruits, Insects and Shells
Georg Flegel
Watercolor on parchment · 1586
The Metropolitan Museum of Art
Hercules and Cerberus
Aegidius Sadeler, II
Engraving · 1586
The Metropolitan Museum of Art
Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Bonifacio
Etching, printed from three plates · 1586
The Metropolitan Museum of Art
Publius Horatius
Hendrick Goltzius
Engraving · 1586
The Metropolitan Museum of Art
Banquet of the Gods
Guglielmo della Porta
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Flaying of Marsyas
Guglielmo della Porta
Bronze · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Saints John the Evangelist, Paul, Peter, and Stephen
Ferraù Fenzoni
Black chalk, pen and brown ink, brush and brown wash · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Eurydice Bitten by a Serpent
Hendrick de Clerck
Pen and brown ink, brush and brown wash, over traces of black chalk; framing lines in pen and brown ink · 1585
The Metropolitan Museum of Art
Portrait of Pope Sixtus V
Pietro Facchetti
Etching and engraving · 1585
The Metropolitan Museum of Art
Saint Jerome
Pieter de Jode I
Engraving · 1585
The Metropolitan Museum of Art
Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art
Allegory of America, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Africa, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Allegory of Europe, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art