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Artworks

98,449 records by Aureliano Milani · Art Institute Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Charles Raphael Maréchal
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Charles Raphael Maréchal
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Return of Agamemnon
Return of Agamemnon
Francesco Primaticcio
Black chalk, with brush and brown wash, heightened with lead white (partly oxidized), on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Sketches of Four Draped Female Figures (for Pendentives)
Sketches of Four Draped Female Figures (for Pendentives)
Pierre Hubert Subleyras
Pen and brown ink, with brush and brown wash, over graphite, on tan laid paper, laid down on ivory laid paper · 1700
Art Institute of Chicago
Sketch of a Male Nude Leaning on Right Elbow (recto)
Sketch of a Male Nude Leaning on Right Elbow (recto)
Antoine Coypel
Black crayon and red chalk, on buff laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Denis
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Denis
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Shammaa
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Female Head
Female Head
Thomas Frye
Black chalk heightened with white chalk, on brown wove paper, laid down on brown wove paper · 1700
Art Institute of Chicago
Penitent Magdalene
Penitent Magdalene
Imitator of Titian
Red chalk, with stumping, on ivory laid paper · 1700
Art Institute of Chicago
River Landscape with Boating Party
River Landscape with Boating Party
Alessio De Marchis
Pen and brown ink, with brush and brown wash, heightened with lead white (discolored), on blue laid paper · 1700
Art Institute of Chicago
Medal
Medal
European School
Silver · 1700
Art Institute of Chicago
Goldweight with a Geometric Design
Goldweight with a Geometric Design
Asante
Copper alloy · 1700
Art Institute of Chicago
Goldweight in the Form of a Geometric Shape
Goldweight in the Form of a Geometric Shape
Asante
Copper alloy · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Drouart
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Standing Man
Standing Man
Romeyn de Hooghe
Pen and brown ink, with brush and brown wash, over traces of graphite, on ivory laid paper · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Marc Raphael
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Marc Raphael
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Psyche Presenting the Phial of Water to Venus
Psyche Presenting the Phial of Water to Venus
Raphael Vella
Red chalk, with traces of graphite, on cream laid paper · 1700
Art Institute of Chicago
Child
Child
Jacques Philippe Bouchardon
Bronze · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Hefti
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
Seated Male Near Female
Seated Male Near Female
Johann Zoffany
Black chalk on ivory laid paper · 1700
Art Institute of Chicago
The Fanciful Eight Views in Military Love Affairs (Furyu budo iro-bakkei)
The Fanciful Eight Views in Military Love Affairs (Furyu budo iro-bakkei)
Torii Kiyonobu I
Woodblock printed book, sumizuri-e · 1700
Art Institute of Chicago
Conversion of Saint Paul
Conversion of Saint Paul
Raphael Brunk
Red chalk on ivory laid paper, laid down on wood pulp board · 1700
Art Institute of Chicago
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