Database / Artworks
Artworks
Study for the Pietà
Giulio Cesare Procaccini
Charcoal, highlighted with white gouache, squared in charcoal, on blue paper · 1604
The Metropolitan Museum of Art
Newes Modelbuch in Kupffer (Page 14r)
Johann Hans Sibmacher
Etching · 1604
The Metropolitan Museum of Art
The Virgin Adored by Saints
Ippolito Scarsella
Oil on copper · 1604
The Metropolitan Museum of Art
Newes Modelbuch in Kupffer (second title page, 2r)
Johann Hans Sibmacher
Etching · 1604
The Metropolitan Museum of Art
Newes Modelbuch in Kupffer (Page 29r)
Johann Hans Sibmacher
Etching · 1604
The Metropolitan Museum of Art
The Lamentation
Domenichino
copper · 1603
The Metropolitan Museum of Art
Henry Frederick (1594–1612), Prince of Wales, with Sir John Harington (1592–1614), in the Hunting Field
Robert Peake
oil paint · 1603
The Metropolitan Museum of Art
Azure Cliff with Red Maples
Wu Bin
Folding fan mounted as an album leaf; ink and color on paper · 1603
The Metropolitan Museum of Art
Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom
Francesco Brizio
Engraving with some etching · 1603
The Metropolitan Museum of Art
The Lamentation
Domenichino
Oil on copper · 1603
The Metropolitan Museum of Art
Vanitas Still Life
Jacques de Gheyn, II
Oil on wood · 1603
The Metropolitan Museum of Art
Saint Roch at left distributing alms to a group of people gathered around him, after Annibale Caracci
Francesco Brizio
Etching · 1602
The Metropolitan Museum of Art
Landscape with Travelers on a Woodland Path
Brueghel, Jan, the elder
Oil on copper · 1602
The Metropolitan Museum of Art
Saint Roch with a donor and a dog at left
Francesco Brizio
Engraving · 1602
The Metropolitan Museum of Art
Landscape with Travelers on a Woodland Path
Jan Brueghel the Elder
Oil on copper · 1602
The Metropolitan Museum of Art
Le Pan de Muraille
Henri Mauperché
Etching · 1602
The Metropolitan Museum of Art
Virgin Interceding for Those in Purgatory
Alonso Cano
Pen and dark brown ink over black chalk underdrawing. Composition outlined in black chalk, and in dark brown ink (seeped onto sheet from the outlines on the secondary paper support. On off-white paper · 1601
The Metropolitan Museum of Art
Sword Guard (<i>Tsuba</i>) With the Motif of Autumnal Vegetation (秋草透鐔)
Mitsunobu
Iron, gold, copper, silver-copper alloy (<i>shibuichi</i>) · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 91 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 108 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Corona delle Nobili et Virtuose Donne: Libro I-IV, page 96 (recto)
Cesare Vecellio
Woodcut · 1601
The Metropolitan Museum of Art
Three Putti Holding Cross Before Two Male Saints
Alonso Cano
Pen and medium brown ink over traces of black chalk underdrawing on cream paper. Lightly foxed. Composition outlined with pen and medium brown ink. Lined with a strip of paper showing at bottom · 1601
The Metropolitan Museum of Art
Barberini Cabinet
Florence
Oak and poplar veneered with various exotic hardwoods, with ebony moldings and plaques of marble, slate (paragon); pietre dure work consisting of colored marbles, rock crystal, and various hardstones · 1601
The Metropolitan Museum of Art