Database / Artworks
Artworks
Portrait of a Man
Tintoretto
Oil on canvas · 1550
The Metropolitan Museum of Art
Wolf hunt
Etienne Delaune
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art
Holy Family
Battista Angolo del Moro
Engraving · 1550
The Metropolitan Museum of Art
Wolf hunt
Etienne Delaune, French
Pen and black, dark gray, and gray brown ink, and (between the pen lines of the illusionistic frame) brush and gray ink, on vellum. · 1550
The Metropolitan Museum of Art
Georg Thenn
Jost Amman
Etching; second state of two · 1550
The Metropolitan Museum of Art
Charity
Adriaan de Weerdt
Engraving · 1550
The Metropolitan Museum of Art
Judith, from "Famous Women from the Old Testament"
Philip Galle
Engraving · 1550
The Metropolitan Museum of Art
The Wayfarer Crowned by Happiness from The Table of Cebes
David Kandel
Wool and silk on canvas (cross-stitch, 48-56 per sq. in., 9 per sq. cm.; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Venus and Adonis
Titian
Oil on canvas · 1550
The Metropolitan Museum of Art
The Siege of Fiesole by the Goths
Friedrich Sustris
Black chalk, pen and brown ink, brush and brown wash; squared in black chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Members of a Monastic Order Carrying the Cross for Christ to Heaven
Giovanni Andrea de Ferrari
Pen and brown ink, brown wash, over traces of red and black chalk · 1550
The Metropolitan Museum of Art
Triumph of Christian Faith
Jost Amman
Etching printed from two plates on two sheets · 1550
The Metropolitan Museum of Art
Henri II, King of France
Léonard Limosin
Enamel on copper, partly gilt · 1550
The Metropolitan Museum of Art
Nude Male Figure with Upraised Right Arm
Girolamo Romanino
Brush and brown wash, over slight traces of black chalk · 1550
The Metropolitan Museum of Art
The Garden of False Learning from The Table of Cebes
David Kandel
Wool and silk on canvas (cross stitch, 48-56 per sq. in., 9 per sq. cm; tent stitch, 156-190 per sq. in., 30-36 per sq. cm.) · 1550
The Metropolitan Museum of Art
Tabernacle House Altar with the Adoration of the Shepherds, the Adoration of the Magi, and the Annunciation.
Reinhold Vasters
Ebony-veneered soft wood, silver gilt, rock crystal, agate, and reverse painted and gilded glass. · 1550
The Metropolitan Museum of Art
The Conversion of St. Paul
Melchior Bocksberger
Pen and brown ink, brush and blue watercolor · 1550
The Metropolitan Museum of Art
View of ruins on the Palatine Hill with trabeated facade at left and arcades at center, from "The Ruins of Rome" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching · 1550
The Metropolitan Museum of Art
Saint Jerome Praying in a Landscape
Niccolò dell' Abate
Pen and brown ink, brush and brown wash, highlighted with white gouache · 1550
The Metropolitan Museum of Art
Dr. Christian Bruck, called Pontanus
Lucas Cranach the Younger
Woodcut · 1549
The Metropolitan Museum of Art
Armor of Emperor Ferdinand I
Kunz Lochner
leather · 1549
The Metropolitan Museum of Art
Panel with Grotesque Candelabrum Containing a Mask, a Couple of Tritons and Two Children
Heinrich Aldegrever
Engraving · 1549
The Metropolitan Museum of Art
Ornamental Design with a Mask and an Eagle between Two Fauns below
Heinrich Aldegrever
Engraving · 1549
The Metropolitan Museum of Art
Head of a Man
Hans Sebald Beham
Pen and iron gall ink (laid down) · 1549
The Metropolitan Museum of Art