Database / Artworks
Artworks

The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art

Officia M.T.C. Von den tugentsamen ämptern
Cicero
Woodcuts · 1531
The Metropolitan Museum of Art

Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art

The Descent of Christ to Limbo (recto); Coats of Arms of Florentine and Sienese Families (verso)
Domenico Beccafumi
Pen and brown ink, brush and brown wash, over traces of leadpoint or black chalk; squared in leadpoint (recto); pen and brown ink (verso) · 1531
The Metropolitan Museum of Art

ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art

ornamental Frieze with two Putti and a Monster
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art

Hercules fight adragon in the centre, Achelous carrying off Deianeira upper left
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art

The rest of the Holy Family on their flight to Egypt
Giulio Bonasone
Engraving and etching · 1531
The Metropolitan Museum of Art

The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art

The combat of Hector and Achilles, and Achilles dragging the body of Hector around the walls of Troy
Giulio Bonasone
Engraving · 1531
The Metropolitan Museum of Art

An Eagle Preaching to the Animals
Marcus Gheeraerts the Elder
Pen and brown ink, over red chalk · 1530
The Metropolitan Museum of Art

Madonna and Child with the Infant Saint John the Baptist, Three Women, and an Angel
Adriaan de Weerdt
Pen and brown ink, brush and gray wash; framing lines in pen and brown ink, by the artist · 1530
The Metropolitan Museum of Art

Christ Driving the Money Changers from the Temple
Frans Floris, I
Pen and brown ink, brush and brown wash, over red and black chalk, touches of pen and red ink · 1530
The Metropolitan Museum of Art

Bust of a Woman with an Elaborate Coiffure
Rosso Fiorentino
Black chalk (Rosso Fiorentino). Probably another hand reinforced minute passages with pen and brown ink, adding also a tiny area of crosshatching within the hair arrangements. An early owner of the drawing (or an artist working for him) colored the background around the figure in brush and brown wash. · 1530
The Metropolitan Museum of Art

Bacchus on the Shoulders of a Satyr, from "Speculum Romanae Magnificentiae"
Cornelis Cort
Engraving · 1530
The Metropolitan Museum of Art

The Adoration of the Shepherds
Pieter van der Heyden
Engraving; first state · 1530
The Metropolitan Museum of Art

Nude Male Figure Seated on the Ground
Amico Aspertini
Black chalk, brush and brown wash, highlighted with white gouache, on brown-washed paper · 1530
The Metropolitan Museum of Art

Manuscript Leaf with Adoration of the Holy Name, from a Book of Hours
Simon Bening
Tempera, ink and shell gold on parchment · 1530
The Metropolitan Museum of Art

Landscape with Catacombs
Domenico Beccafumi
Pen and ink, brush and brown wash, over black chalk · 1530
The Metropolitan Museum of Art

Lucretia
Daniel Mauch
Boxwood (Buxus sempervirens); pedestal: various pieces of dark colored wood, including pieces of ebony (Diospyros sp.) · 1530
The Metropolitan Museum of Art

Saint Agnes (one of a pair)
DIEGO
Alabaster, painted and gilt · 1530
The Metropolitan Museum of Art

The Sibyl Aprippa
Léonard Limosin
Painted enamel on copper, partly gilt · 1530
The Metropolitan Museum of Art

Thomas Wriothesley (1505–1550), First Earl of Southampton
Hans Holbein the Younger
Vellum laid on card · 1530
The Metropolitan Museum of Art

An Old Man (Saint Paul)
Nicolas Beatrizet
Engraving; second state of two · 1530
The Metropolitan Museum of Art