Database / Artworks
Artworks

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Untitled from Voltage
Barry Le Va
One from a portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Voltage
Barry Le Va
Portfolio of nine etchings and Xerox with chine collé · 2007
Museum of Modern Art

Study for double-tiered sculpture
Barry Le Va
Cut-and-pasted paper with colored ink and colored pencil on paper · 2000
Museum of Modern Art

Bunker Coagulation #25
Barry Le Va
Ink, synthetic polymer paint, and pencil on paper · 1996
Museum of Modern Art

Elements Compressed by Pushing from Various Directions
Barry Le Va
Felt-tip pen and pencil on paper · 1994
Museum of Modern Art

Munich/Africa (Studies for Sculpture)
Barry Le Va
Pencil, ballpoint pen, and ink on paper · 1993
Museum of Modern Art

Study for Sculpture Occupying 2' Area : "Institutional Template," Readings from above (Internal Observation from 1. Conference to 2. Lab)
Barry Le Va
Cut-and-pasted cardboard with ink and pencil on paper · 1991
Museum of Modern Art

Plan View for Sculpture Occupying Wall and Floor Areas - Dreaded Intrusions
Barry Le Va
Lithograph on 2 sheets · 1991
Museum of Modern Art

Diagram for Two Separate Installlations Combined into One Installation in 2 Perspectives
Barry Le Va
Charcoal, synthetic polymer paint, pastel, ink, and cut-and-pasted transparentized paper on paper · 1982
Museum of Modern Art

Sections - Installation Study
Barry Le Va
Tape, ink, crayon, pencil and gouache on transparentized paper · 1980
Museum of Modern Art

Installation Floor Plan for Any Space Surrounded by Four Walls from the Rubber Stamp Portfolio
Barry Le Va
One from a portfolio of thirteen rubber stamps · 1976
Museum of Modern Art

Accumulated Vision (Separates): Length Ration (In Perspective) #III
Barry Le Va
Ink and colored pencil on gray paper overlaid with vellum · 1975
Museum of Modern Art

Center Points and Lengths (Through Points of Tangency)
Barry Le Va
Pen and black ink on green wove paper · 1974
Art Institute of Chicago

Pyramid: Center Points and Lengths (Through Points of Tangency): 3 Layers Separately Overlaid
Barry Le Va
Ink on colored paper · 1974
Museum of Modern Art

Criss-Cross Corner Shot - Plan View
Barry Le Va
Felt-tip pen, colored pencil, and pencil on paper · 1970
Museum of Modern Art

Three Activities
Barry Le Va
Pen and black ink with red felt-tip pen on printed, cream wove graph paper · 1968
Art Institute of Chicago