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Artworks

146 records by John Marin
Ocean and Rocks
Ocean and Rocks
John Marin
Watercolor with charcoal and stumping, and charcoal wash, on thick, slightly textured, ivory wove paper (lower and right edges trimmed), in original frame · 1917
Art Institute of Chicago
Untitled (Green and White)
Untitled (Green and White)
John Marin
Watercolor and charcoal with stumping, and with charcoal wash, on thick, slightly textured, ivory wove paper (all edges trimmed), in original frame · 1917
Art Institute of Chicago
Woolworth from the River
Woolworth from the River
John Marin
Etching with drypoint, selectively wiped, on ivory Japanese paper · 1917
Art Institute of Chicago
Tree and Mountain Forms, Delaware River Country
Tree and Mountain Forms, Delaware River Country
John Marin
Watercolor with rewetting, blotting, wiping, and scraping, on moderately thick, rough, off-white wove paper (all edges trimmed) · 1916
Art Institute of Chicago
Woolworth Building
Woolworth Building
John Marin
Graphite on cream wove paper · 1916
Art Institute of Chicago
S
Sand Dunes, Wallace Head, Maine
John Marin
Watercolor over graphite on thick wove paper · 1915
Cleveland Museum of Art
Sketch of Marin Island
Sketch of Marin Island
John Marin
graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed) (verso of 1956.366a) · 1915
Art Institute of Chicago
Floor Plans for a House
Floor Plans for a House
John Marin
graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed) (verso of 1956.366a) · 1915
Art Institute of Chicago
Marin Island
Marin Island
John Marin
Watercolor with blotting and graphite on thick, slightly textured, off-white wove paper, folded (top and right edges trimmed) · 1915
Art Institute of Chicago
Sketch of Lower Manhattan
Sketch of Lower Manhattan
John Marin
Graphite on lightweight, smooth, cream wove paper, laid down on white wove card · 1915
Art Institute of Chicago
Other Side
Other Side
John Marin
Watercolor with charcoal, on thick, rough textured, ivory wove paper (all edges trimmed) · 1915
Art Institute of Chicago
Landscape in Maine
Landscape in Maine
John Marin
Watercolor with rewetting and blotting, over graphite, on thick, moderately textured, ivory wove paper (left and lower edges trimmed) · 1915
Art Institute of Chicago
Brooklyn Bridge from Brooklyn (The Sun)
Brooklyn Bridge from Brooklyn (The Sun)
John Marin
Etching with plate tone on off-white wove paper · 1915
Art Institute of Chicago
Weehawken, No. 1
Weehawken, No. 1
John Marin
Etching with graphite additions on ivory wove paper · 1915
Art Institute of Chicago
Trinity Church Yard
Trinity Church Yard
John Marin
Etching on white laid paper, laid down on cream card · 1915
Art Institute of Chicago
Brooklyn Bridge from Brooklyn (The Sun)
Brooklyn Bridge from Brooklyn (The Sun)
John Marin
Etching with plate tone on ivory laid paper · 1915
Art Institute of Chicago
Grain Elevator, Weehawken
Grain Elevator, Weehawken
John Marin
Etching · 1915
Museum of Modern Art
Brooklyn Bridge from Brooklyn (The Sun)
Brooklyn Bridge from Brooklyn (The Sun)
John Marin
Etching · 1915
Museum of Modern Art
W
West Point, near Small Point, Maine—Autumn
John Marin
Watercolor with traces of graphite on thick, highly textured wove paper · 1914
Cleveland Museum of Art
W
West Point, Maine
John Marin
Watercolor with scraping and traces of graphite on thick, moderately rough-textured wove paper · 1914
Cleveland Museum of Art
M
Marin Island (recto); Landscape (verso)
John Marin
Watercolor on thick wove paper · 1914
Cleveland Museum of Art
House with Hedges and Path
House with Hedges and Path
John Marin
Colored crayons with frottage and graphite on lightweight, smooth, ivory wove paper · 1914
Art Institute of Chicago
Ragged Island, Maine
Ragged Island, Maine
John Marin
Watercolor with rewetting and blotting, over graphite, on moderately thick, slightly textured, off-white wove paper (top and left edges trimmed), in original frame · 1914
Art Institute of Chicago
The Little Tree, Maine
The Little Tree, Maine
John Marin
Watercolor with rewetting and touches of blotting, on thick, slightly textured, off-white wove paper (left and lower edges trimmed) · 1914
Art Institute of Chicago
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