Database / Artworks
Artworks
The Elevation of the Cross from a set of The Passion
Hans Wechtlin
Wool, silk, metal thread (20 warp threads per inch, 8 per cm.) · 1600
The Metropolitan Museum of Art
Landscape with view of a town (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art
Apotheosis of Four Martyred Saints (Four Crowned Martyrs?)
Antonio Cavallucci, Italian
Pen and brown ink, washed with brown ink and white. Ceiling design with semi-circular ends · 1600
The Metropolitan Museum of Art
Group of Men
Willoughby, Vera
Brush and brown wash over traces of black chalk · 1600
The Metropolitan Museum of Art
A Seated Young Woman Looking Over Her Shoulder
Guercino
Pen and brown ink · 1600
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
The Preaching of Saint John the Baptist
Gerrit Pietersz Sweelink
Pen and brown ink, brush and blue and brown ink, blue and brown washes, heightened with white (partly oxidized) · 1598
The Metropolitan Museum of Art
The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni
Etching · 1598
The Metropolitan Museum of Art
Design for a Painted Glass with Scene from the New Testament
Christoph Murer
Pen and black ink, brush and gray wash · 1598
The Metropolitan Museum of Art
Drawing of a Catafalque for Philip II of Spain, 1598
Alessandro Casolani
Pen and brown ink, brush and brown wash · 1598
The Metropolitan Museum of Art
Triumphal column with female figure of Fame holding a trumpet at the top, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni
Etching · 1598
The Metropolitan Museum of Art
Design for a Stove and Wall Fountain (?)
Friedrich Sustris
Pen and brown ink, brush and gray wash, over black chalk · 1598
The Metropolitan Museum of Art
Virgin and Child
Abraham Blooteling, Dutch
Engraving; reverse copy · 1598
The Metropolitan Museum of Art