Database / Artworks
Artworks
Allegory of Love: Scorn
Paolo Veronese
Pen and black ink, with brush and watercolor and gouache, over graphite, on cream wove paper, laid down on ivory wove paper · 1800
Art Institute of Chicago
Fortitude (or Strength) Flanked by Two Satyrs
Paolo Veronese
Brush and brown wash, heightened with lead white (partially oxidized), over black chalk, on blue laid paper, squared in black chalk · 1600
Art Institute of Chicago
Judgement of Paris
Paolo Veronese
Pen and brown ink and brush and brown wash, on tan laid paper, edge mounted to tan board · 1600
Art Institute of Chicago
Saint Jerome in the Wilderness
Paolo Veronese
Oil on canvas · 1585
Art Institute of Chicago
Saint Catherine of Alexandria in Prison
Paolo Veronese
Oil on canvas · 1580
The Metropolitan Museum of Art
Alessandro Vittoria (1525–1608)
Paolo Veronese
Oil on canvas · 1575
The Metropolitan Museum of Art
Various Sketches of the Madonna and Child (recto)
Paolo Veronese
pen and brown ink (iron gall) and brush and brown wash · 1575
Cleveland Museum of Art
The Annunciation
Paolo Veronese
oil on canvas · 1575
Cleveland Museum of Art
Circumcision of the Christ Child (recto); Marriage of the Virgin (verso)
Paolo Veronese
Black chalk with pen and brown ink, heightened with lead white (partially discolored) (recto), and black chalk (verso), on cream laid paper, recto squared in black chalk · 1575
Art Institute of Chicago
Head of a Woman
Paolo Veronese
Black chalk, heightened with white chalk, on pale blue laid paper · 1573
Art Institute of Chicago
Portrait of Agostino Barbarigo
Paolo Veronese
oil on canvas · 1571
Cleveland Museum of Art
Studies for The Allegories of Love
Paolo Veronese
Pen and brown ink, brush and brown wash · 1570
The Metropolitan Museum of Art
Mars and Venus United by Love
Paolo Veronese
Oil on canvas · 1570
The Metropolitan Museum of Art
Boy with a Greyhound
Paolo Veronese
Oil on canvas · 1570
The Metropolitan Museum of Art
Various Sketches of the Madonna and Child (recto); Architectural Studies (verso) [partially visible on recto]
Paolo Veronese
pen and brown ink (iron gall) and brush and brown wash · 1565
Cleveland Museum of Art
Portrait of Daniele Barbaro
Paolo Veronese
canvas, oil paint (paint) · 1556
Rijksmuseum
Virgin Mary Handing Scapular to Saint Simon Stock
Paolo Veronese
Pen and iron gall ink and brown and gray wash, heightened with lead white, on blue laid paper, laid down on blue wove paper and ivory laid card · 1550
Art Institute of Chicago
Halfnaakt jongetje
Paolo Veronese
pen on ink, paper · 1538
Rijksmuseum
Studies van een liggende naakte mannelijke figuur
Paolo Veronese
pen on paper, ink · 1538
Rijksmuseum
Allegory of the Redemption of the World
Paolo Veronese
Pen and black ink, brush and gray wash, highlighted with white gouache, on gray washed paper · 1528
The Metropolitan Museum of Art
St. George Preparing for His Martyrdom
Paolo Veronese
engraving and etching · 1518
Cleveland Museum of Art