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Artworks

99 records by Félicien Rops
The Model
The Model
Félicien Rops
Etching and aquatint on cream Japanese paper · 1874
Art Institute of Chicago
The Absinthe Drinker
The Absinthe Drinker
Félicien Rops
paper · 1872
Art Institute of Chicago
Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre)
Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre)
Félicien Rops
etching · 1871
National Gallery of Art
The Red Iron (Le Fer Rouge)
The Red Iron (Le Fer Rouge)
Félicien Rops
etching · 1871
National Gallery of Art
Gaspard de la Nuit
Gaspard de la Nuit
Félicien Rops
etching · 1868
National Gallery of Art
Frontispiece: The Waifs (Les Epaves)
Frontispiece: The Waifs (Les Epaves)
Félicien Rops
etching · 1868
National Gallery of Art
Frontispiece to Margot la Ravaudeuse
Frontispiece to Margot la Ravaudeuse
Félicien Rops
Etching on grayish ivory laid chine · 1868
Art Institute of Chicago
Les pècheurs virent dans la dune une fillette nue mordue au cou cruellement
Les pècheurs virent dans la dune une fillette nue mordue au cou cruellement
Félicien Rops
etching on paper · 1867
Rijksmuseum
The Legend and Adventures of Ulenspiefel and Lamme Goedzak: The Hanged Man (La legende et les aventures d'Ulenspiegel et Lamme Goedzak: Le pendu)
The Legend and Adventures of Ulenspiefel and Lamme Goedzak: The Hanged Man (La legende et les aventures d'Ulenspiegel et Lamme Goedzak: Le pendu)
Félicien Rops
etching and aquatint on chine collé · 1867
Cleveland Museum of Art
Frontispiece for Point de lendemain
Frontispiece for Point de lendemain
Félicien Rops
Etching on gray China paper · 1867
Art Institute of Chicago
The Drinker
The Drinker
Félicien Rops
Etching on gray chine, laid down on ivory wove paper (chine collé) · 1867
Art Institute of Chicago
Woman with a Scottish Hat
Woman with a Scottish Hat
Félicien Rops
Etching from a steel plate on cream wove paper · 1865
Art Institute of Chicago
Frontispiece: The Dregs of Society (Les bas-fonds de la societe)
Frontispiece: The Dregs of Society (Les bas-fonds de la societe)
Félicien Rops
etching · 1864
National Gallery of Art
Frontispiece: The Dregs of Society (Las bas-fonds de la societe)
Frontispiece: The Dregs of Society (Las bas-fonds de la societe)
Félicien Rops
etching · 1864
National Gallery of Art
Le cabinet satyrique
Le cabinet satyrique
Félicien Rops
Etching on gray chine · 1864
Art Institute of Chicago
Winter Evening
Winter Evening
Félicien Rops
black crayon, black chalk and graphite (stumped and scraped away in places) and brush and gray wash and crayon, heightened with white chalk · 1863
Cleveland Museum of Art
The Werewolf
The Werewolf
Félicien Rops
Etching, with engraving and roulette, on gray wove paper, laid down on ivory wove paper · 1862
Art Institute of Chicago
Portrait of Monsieur Dubois, curate of St. Pierre...
Portrait of Monsieur Dubois, curate of St. Pierre...
Félicien Rops
Lithograph in black (with letterpress on verso) on ivory wove paper · 1857
Art Institute of Chicago
Menus propos
Menus propos
Félicien Rops
Lithograph (with letterpress on verso) on ivory wove paper · 1857
Art Institute of Chicago
The Last Flemish, I
The Last Flemish, I
Félicien Rops
Lithograph in black, with scraping, on gray chine, laid down on ivory wove paper (chine collé) · 1857
Art Institute of Chicago
Crinolinographies (Costume de la magistrature proposé pour 1857)
Crinolinographies (Costume de la magistrature proposé pour 1857)
Félicien Rops
lithograph · 1856
Cleveland Museum of Art
Poetry IV
Poetry IV
Félicien Rops
Lithograph in black, with scraping (with letterpress on verso), on ivory wove paper, laid down on white wove paper · 1856
Art Institute of Chicago
Invitation to a concert
Invitation to a concert
Félicien Rops
Pen and black ink on cream paper, tipped onto blue-green wove paper · 1853
Art Institute of Chicago
Seated Man with Extended Left Arm
Seated Man with Extended Left Arm
Félicien Rops
Pen and black ink, with brush and gray wash and black crayon, over graphite, on cream laid paper · 1853
Art Institute of Chicago
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