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Artworks

99 records by Félicien Rops
Modern Masks
Modern Masks
Félicien Rops
Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper · 1889
Art Institute of Chicago
The Modesty of Sodom
The Modesty of Sodom
Félicien Rops
Heliogravure retouched with drypoint, soft varnish (vernis mou) and aquatint on ivory laid paper · 1888
Art Institute of Chicago
Maturity
Maturity
Félicien Rops
Aquatint, soft varnish ("vernis mou") and drypoint on cream laid paper · 1887
Art Institute of Chicago
First Step
First Step
Félicien Rops
Heliogravure, with drypoint, white heightening and hand-coloring, on ivory wove paper · 1883
Art Institute of Chicago
Modernity
Modernity
Félicien Rops
Drypoint on cream wove paper · 1883
Art Institute of Chicago
Warrior
Warrior
Félicien Rops
Heliogravure, with drypoint and aquatint, on ivory wove paper · 1882
Art Institute of Chicago
At an Atheist Dinner-Party
At an Atheist Dinner-Party
Félicien Rops
Heliogravure retouched with aquatint and soft varnish (vernis mou) in black on thick cream wove paper · 1882
Art Institute of Chicago
Frontispiece to La messe de Gnide
Frontispiece to La messe de Gnide
Félicien Rops
Heliogravure, with drypoint, on cream wove paper · 1881
Art Institute of Chicago
Frontispiece for Rimes de Joie
Frontispiece for Rimes de Joie
Félicien Rops
Heliogravure, with soft varnish (vernis mou) on cream wove paper · 1881
Art Institute of Chicago
La Dernière Maja
La Dernière Maja
Félicien Rops
drypoint with etching and aquatint on light blue laid paper · 1880
National Gallery of Art
O Nature!
O Nature!
Félicien Rops
Etching and drypoint on tan laid paper · 1880
Art Institute of Chicago
The Greatest Love of Don Juan
The Greatest Love of Don Juan
Félicien Rops
Graphite with stumping, scratching and erasing on off-white wove paper, prepared with a white gouache ground (scratchboard) · 1879
Art Institute of Chicago
Standing Woman with a Fur
Standing Woman with a Fur
Félicien Rops
Heliogravure, with drypoint, on cream laid paper · 1879
Art Institute of Chicago
Standing Woman with a Fur
Standing Woman with a Fur
Félicien Rops
Heliogravure, with drypoint, on cream laid paper · 1879
Art Institute of Chicago
The Press
The Press
Félicien Rops
Etching and drypoint on tan wove paper · 1878
Art Institute of Chicago
Lace appraiser (L'Experte en Dentelles)
Lace appraiser (L'Experte en Dentelles)
Félicien Rops
etching and drypoint · 1876
National Gallery of Art
The Parable of the Sower (Le Semeur de Paraboles)
The Parable of the Sower (Le Semeur de Paraboles)
Félicien Rops
etching on laid paper · 1876
National Gallery of Art
Woman with a Carcel Lamp
Woman with a Carcel Lamp
Félicien Rops
Reproduction of a soft varnish etching ("vernis mou"), with drypoint and roulette, on cream laid paper · 1876
Art Institute of Chicago
Old Woman with a Needle
Old Woman with a Needle
Félicien Rops
Heliogravure on cream laid paper · 1876
Art Institute of Chicago
The Hanged Man in the Forge
The Hanged Man in the Forge
Félicien Rops
black chalk? and black crayon with stumping (scratched away in places); framing lines in black chalk? · 1875
Cleveland Museum of Art
The Hanging of Levallois-Perret
The Hanging of Levallois-Perret
Félicien Rops
etching · 1875
Cleveland Museum of Art
Taking Tea
Taking Tea
Félicien Rops
Etching, soft varnish (vernis mou) and drypoint on ivory wove paper · 1875
Art Institute of Chicago
The Model
The Model
Félicien Rops
Etching and aquatint on cream Japanese paper · 1874
Art Institute of Chicago
Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre)
Belgian Border, Bill of Disorder (Frontiere de Belgique. Billet a Desordre)
Félicien Rops
etching · 1871
National Gallery of Art
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