Database / Artworks

Artworks

12,285 records by John Cox Dillman Engleheart · Met Museum
Faith, Hope and Charity
Faith, Hope and Charity
Gerrit Pietersz Sweelink
Etching; unrecorded proof before the first state with additions in pen and brown ink · 1588
The Metropolitan Museum of Art
Head of a Bearded Man
Head of a Bearded Man
Domenico Fetti
Black chalk, red, yellow, and pink pastel, highlighted with white on gray-green paper · 1588
The Metropolitan Museum of Art
The Adoration of the Holy Trinity in the New Covenant
The Adoration of the Holy Trinity in the New Covenant
Friedrich Sustris
Pen and gray ink, gray wash; laid down; framing line in pen and brown ink · 1588
The Metropolitan Museum of Art
The Young Painter and Young Goldsmith, from The Duels of the Workmen
The Young Painter and Young Goldsmith, from The Duels of the Workmen
Jost Amman
Etching · 1588
The Metropolitan Museum of Art
Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex
Portrait of a Young Man, Probably Robert Devereux (1566–1601), Second Earl of Essex
Nicholas Hilliard
Vellum laid on card · 1588
The Metropolitan Museum of Art
Trotting horse
Trotting horse
Giambologna
Bronze · 1587
The Metropolitan Museum of Art
Pair of Gauntlets Belonging to the Armor of Duke Friedrich Ulrich of Brunswick (1591–1634)
Pair of Gauntlets Belonging to the Armor of Duke Friedrich Ulrich of Brunswick (1591–1634)
Royal Workshops at Greenwich
Steel, gold, leather, textile, copper alloy · 1587
The Metropolitan Museum of Art
Mary, Queen of Scots
Mary, Queen of Scots
Léonard Gaultier
Engraving · 1587
The Metropolitan Museum of Art
Two Children Teasing a Cat
Two Children Teasing a Cat
Annibale Carracci
Oil on canvas · 1587
The Metropolitan Museum of Art
Hercules and Cerberus
Hercules and Cerberus
Aegidius Sadeler II
Engraving · 1586
The Metropolitan Museum of Art
Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Bonifacio
Etching, printed from three plates · 1586
The Metropolitan Museum of Art
Hercules and Cerberus
Hercules and Cerberus
Aegidius Sadeler, II
Engraving · 1586
The Metropolitan Museum of Art
Publius Horatius
Publius Horatius
Hendrick Goltzius
Engraving · 1586
The Metropolitan Museum of Art
Studies of Fruits, Insects and Shells
Studies of Fruits, Insects and Shells
Georg Flegel
Watercolor on parchment · 1586
The Metropolitan Museum of Art
Saint Jerome
Saint Jerome
Pieter de Jode I
Engraving · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
The Massacre of the Innocents
The Massacre of the Innocents
Giovanni Battista della Rovere
Pen and brown ink, brush and brown wash, over black chalk (recto); sketch for the decoration of a spandrel in pen and brown ink over red chalk (verso) · 1585
The Metropolitan Museum of Art
Globular jar
Globular jar
Domenico Veneziano
Maiolica (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Joachim Patinir
Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
The Virgin Surrounded by Angels and Representatives of Secular and Ecclesiastical Authorities
The Virgin Surrounded by Angels and Representatives of Secular and Ecclesiastical Authorities
Pieter de Jode I
Pen and brown ink, brush and brown wash; framing lines in pen and brown ink; indented for transfer · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
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