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Artworks
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Sir John Everett Millais
Oil on canvas · 1886
The Metropolitan Museum of Art
Going to the Park
Sir John Everett Millais
Etching on cream chine, laid down on ivory wove paper (chine collé) · 1872
Art Institute of Chicago
The Good Samaritan (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Foolish Virgins (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Labourers in the Vineyard (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Unjust Judge and the Importunate Widow (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Unmerciful Servant (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Wicked Husbandmen (The Parables of Our Lord and Saviour Jesus Christ)
Sir John Everett Millais
Wood engraving; proof · 1864
The Metropolitan Museum of Art
The Baby House
Sir John Everett Millais
Etching on cream chine, laid down on ivory wove paper · 1863
Art Institute of Chicago
Summer Indolence
Sir John Everett Millais
Etching on ivory wove paper · 1861
Art Institute of Chicago
Happy Springtime
Sir John Everett Millais
Etching on ivory wove chine laid down on off-white wove paper · 1860
Art Institute of Chicago
Bridge of Sighs
Sir John Everett Millais
Etching on ivory chine, laid down on ivory wove paper · 1858
Art Institute of Chicago
Study for the Head of the Rescuing Lover in Escape of the Heretic
Sir John Everett Millais
Graphite and red chalk, on cream wove paper (discolored from ivory) laid down on ivory · 1857
Art Institute of Chicago
Design for a Gothic Arch with the Artist and Effie Ruskin Embracing (recto); Design for a Gothic Arch with Effie as an Angel (verso)
Sir John Everett Millais
Graphite, with touches of pen and brown ink (recto and verso) on ivory paper · 1853
Art Institute of Chicago