Database / Artworks
Artworks

Trotting horse
Giambologna
Bronze · 1587
The Metropolitan Museum of Art

Pair of Gauntlets Belonging to the Armor of Duke Friedrich Ulrich of Brunswick (1591–1634)
Royal Workshops at Greenwich
Steel, gold, leather, textile, copper alloy · 1587
The Metropolitan Museum of Art

Mary, Queen of Scots
Léonard Gaultier
Engraving · 1587
The Metropolitan Museum of Art

Hercules and Cerberus
Aegidius Sadeler, II
Engraving · 1586
The Metropolitan Museum of Art

Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Bonifacio
Etching, printed from three plates · 1586
The Metropolitan Museum of Art

Hercules and Cerberus
Aegidius Sadeler II
Engraving · 1586
The Metropolitan Museum of Art

Publius Horatius
Hendrick Goltzius
Engraving · 1586
The Metropolitan Museum of Art

Studies of Fruits, Insects and Shells
Georg Flegel
Watercolor on parchment · 1586
The Metropolitan Museum of Art

Portrait of a Woman
Nicholas Hilliard
Vellum laid on card · 1585
The Metropolitan Museum of Art

Pilate at the left washing his hands (left side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art

Knife (one of a set)
Antonio Gentili da Faenza
Silver, gold · 1585
The Metropolitan Museum of Art

Ewer
Estève
Faience (tin-glazed earthenware) · 1585
The Metropolitan Museum of Art

Walls, Towers, and Gates of Amsterdam
Jacob Savery
Pen and brown ink · 1585
The Metropolitan Museum of Art

Banquet of the Gods
Porta, Guglielmo della
Gold, lapis lazuli, carnelian · 1585
The Metropolitan Museum of Art

Mars and Venus Trapped by Vulcan
Porta, Guglielmo della
Gilt bronze · 1585
The Metropolitan Museum of Art

Ogni cosa vince l'oro
Agostino Carracci, Italian
Engraving · 1585
The Metropolitan Museum of Art

Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci, Italian
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art

Seated Nude Male Figure (recto); Ornamental Designs of Foliage, a Grotesque Head, and a Leg (verso)
Agostino Carracci
Pen and brown ink, over black chalk underdrawing · 1585
The Metropolitan Museum of Art

The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art

Orpheus and Eurydice
Agostino Carracci
Engraving, second state · 1585
The Metropolitan Museum of Art

The Liberation of Oriane from a set of Amadis of Gaul
Karel van Mander II
Wool and silk (8-9 warps per cm) · 1585
The Metropolitan Museum of Art

Samuel Annointing David (recto); Sketch of two figures (verso)
Karel van Mander II
Pen and brown ink, brush and brown and gray wash; pasted down (recto); pen and brown ink, incised and rubbed with black chalk (verso) · 1585
The Metropolitan Museum of Art

Flaying of Marsyas
Porta, Guglielmo della
Bronze · 1585
The Metropolitan Museum of Art