Database / Artworks
Artworks
Study for the Allegory of Birth
Giorgio Vasari
Pen and brown ink, with brush and brown wash, heightened with lead white (partially oxidized), on blue laid paper, laid down on tan wove card · 1580
Art Institute of Chicago
Saint Paul Speaking before King Agrippa (Acts 26)
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of black chalk · 1573
The Metropolitan Museum of Art
Saint Luke
Giorgio Vasari
oil on panel · 1570
National Gallery of Art
Saint Mark
Giorgio Vasari
oil on panel · 1570
National Gallery of Art
Study for a Ceiling Decoration, with Rebecca and Eliezer at the Well (recto); Study for a Ceiling Decoration (verso)
Giorgio Vasari
Pen and brown ink, with brush and brown wash, on cream laid paper, squared in graphite and red chalk (recto and verso) · 1569
Art Institute of Chicago
Allegory of Sleep
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of red chalk · 1565
The Metropolitan Museum of Art
Allegory of Forgetfulness
Giorgio Vasari
Pen and brown ink, brush and pale gray wash, over traces of black chalk, on beige paper · 1565
The Metropolitan Museum of Art
Study for Allegory of Two Quartieri of Florence
Giorgio Vasari
Pen and brown ink, on ivory laid paper, laid down on cream wove card · 1563
Art Institute of Chicago
The Last Judgment
Giorgio Vasari
pen and brown ink with brown wash over traces of red and black chalk, squared for transfer with black chalk, on cream laid paper · 1562
National Gallery of Art
Cavalry Skirmish (recto); Architectural Sketch (verso)
Giorgio Vasari
Pen and brown ink with brush and brown wash, over black chalk, on ivory laid paper, laid down on ivory laid paper (recto), and pen and brown ink on ivory laid paper (verso) · 1558
Art Institute of Chicago
The Conversion of Saint Paul
Giorgio Vasari
Pen and brown ink, brush and brown wash, with splatters of gray, green and pink paint over black chalk, squared in black chalk, on cream laid paper, with framing lines in pen and brown ink, laid down on secondary paper · 1554
Art Institute of Chicago
Study for Ceres
Giorgio Vasari
Pen and brown ink and brush and brown wash, with traces of black chalk and red chalk wash, on ivory laid paper, laid down on ivory laid paper · 1554
Art Institute of Chicago
Sacrifice of Cain and Abel, with God the Father Above
Giorgio Vasari
Red chalk on tan laid paper · 1554
Art Institute of Chicago
Allegory of Eternity
Giorgio Vasari
Pen and brown ink, brush and brown wash, over black chalk, heightened with white gouache, on blue laid paper, squared for transfer in red chalk · 1544
Art Institute of Chicago
Christ in the House of Simon the Pharisee
Giorgio Vasari
pen on paper, ink, chalk · 1544
Rijksmuseum
Ontwerp voor het apparaat voor Aretino's 'La Talanta'
Giorgio Vasari
pen on paper, ink · 1541
Rijksmuseum
The Temptation of Saint Jerome
Giorgio Vasari
Oil on panel · 1541
Art Institute of Chicago
Female Head in Profile to Left
Giorgio Vasari
Black chalk on gray-brown laid paper, laid down on ivory laid paper · 1539
Art Institute of Chicago
The Abduction of Ganymede
Giorgio Vasari
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk on blue paper; squared in black chalk · 1511
The Metropolitan Museum of Art
Judith Decapitating Holofernes
Giorgio Vasari
Pen and brown ink, brown wash · 1511
The Metropolitan Museum of Art
Design for a Fountain with River Gods and Nymphs
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of leadpoint · 1511
The Metropolitan Museum of Art
Design for a Fountain with Rivergods and Nymphs
Giorgio Vasari
Pen with medium and dark brown ink, brush and gray wash, highlighted with white gouache, over graphite. Traces of framing outlines in pen with brown and black ink · 1511
The Metropolitan Museum of Art