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Artworks

12,376 records by Stephen R. Milanowski · Met Museum
Close Helmet for the Tourney
Close Helmet for the Tourney
Daniel Hopfer
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Costume Plate: Hispania Rustica (with laundry on head)
Costume Plate: Hispania Rustica (with laundry on head)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Tobias and the Angel
Tobias and the Angel
Hans von Aachen
Black chalk, pen and brown ink, brown wash · 1552
The Metropolitan Museum of Art
Costume Plate: Woman with Hooded Garment
Costume Plate: Woman with Hooded Garment
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, right plate
View of Nuremberg, to the east, right plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Costume Plate: Hispania Rustica mul. (with label on ground)
Costume Plate: Hispania Rustica mul. (with label on ground)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Close Helmet for the Tourney
Close Helmet for the Tourney
Daniel
Steel, leather, brass · 1552
The Metropolitan Museum of Art
Costume Plate: Hispana Rustica (with label on rock)
Costume Plate: Hispana Rustica (with label on rock)
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Galla Serva
Costume Plate: Galla Serva
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
Allegory of the Battle at Selimbar (October 28, 1599)
Allegory of the Battle at Selimbar (October 28, 1599)
Hans von Aachen
Pen and brown ink, brown and and red wash, over a sketch in red chalk · 1552
The Metropolitan Museum of Art
Bacchanal
Bacchanal
Giulio Sanuto
Engraving · 1552
The Metropolitan Museum of Art
Costume Plate: Bearded Man from Spain
Costume Plate: Bearded Man from Spain
Enea Vico
Engraving · 1552
The Metropolitan Museum of Art
View of Nuremberg, to the east, left plate
View of Nuremberg, to the east, left plate
Hanns Lautensack
Etching · 1552
The Metropolitan Museum of Art
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Virgin and Child Appearing in a Glory of Angels to Saint Peter and Saint Paul
Jacopo da Empoli
Pen and dark brown ink, over black chalk; squared in red chalk · 1551
The Metropolitan Museum of Art
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Ippolita di Ferdinando Gonzaga (1535–1563) at the age of 16
Leone Leoni
Bronze, cast · 1551
The Metropolitan Museum of Art
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
View of unidentified ruins with trabeated facade at left, arcades at center, and arch at right, from "The Roman Ruins" (Praecipua aliquot Romanae antiquitatis ruinarum monimenta, vivis prospectibus)
Hieronymus Cock
Etching and engraving · 1551
The Metropolitan Museum of Art
Medal:  Ippolita Gonzaga
Medal: Ippolita Gonzaga
Leone Leoni
Bronze (Copper alloy with worn, dark brown patina) · 1551
The Metropolitan Museum of Art
Studies for a Crucifixion
Studies for a Crucifixion
Alessandro Casolani
Pen and brown ink, brush and brown wash, over red chalk; framing lines in pen and brown ink · 1550
The Metropolitan Museum of Art
Design for a Coat of Arms with Putti holding Garlands
Design for a Coat of Arms with Putti holding Garlands
Tobias Stimmer
Pen and black ink, brush and gray and rose wash. · 1550
The Metropolitan Museum of Art
The Triumph of Marcus Aurelius
The Triumph of Marcus Aurelius
Nicolas Beatrizet
Engraving; first state · 1550
The Metropolitan Museum of Art
Judith, from "Famous Women from the Old Testament"
Judith, from "Famous Women from the Old Testament"
Philip Galle
Engraving · 1550
The Metropolitan Museum of Art
Holy Family
Holy Family
Battista Angolo del Moro
Engraving · 1550
The Metropolitan Museum of Art
Georg Thenn
Georg Thenn
Jost Amman
Etching; second state of two · 1550
The Metropolitan Museum of Art
Antique Naval Battle (recto); A Battle Scene (verso)
Antique Naval Battle (recto); A Battle Scene (verso)
Lattanzio Gambara
Pen and brown ink, brush and brown wash (recto); black chalk (verso); squared in black chalk · 1550
The Metropolitan Museum of Art
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