Database / Artworks

Artworks

12,375 records by Stephen R. Milanowski · Met Museum
Henry IV, King of France (b. 1553, r. 1589–1610)
Henry IV, King of France (b. 1553, r. 1589–1610)
Guillaume
Steel, inlaid gold, gilt · 1600
The Metropolitan Museum of Art
The Annunciation
The Annunciation
Girolamo Mazzola Bedoli
oil paint · 1600
The Metropolitan Museum of Art
Kneeling Woman
Kneeling Woman
Mattia Preti
Red chalk on light brown paper · 1600
The Metropolitan Museum of Art
Victor Amadeus I, Duke of Savoy (1587–1637)
Victor Amadeus I, Duke of Savoy (1587–1637)
Abraham
Bronze · 1600
The Metropolitan Museum of Art
Virgin and Child
Virgin and Child
Gerard Valck
Engraving (reverse copy) · 1600
The Metropolitan Museum of Art
The sacrifice of Isaac by his father Abraham
The sacrifice of Isaac by his father Abraham
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdom
The martyrdom of Saint Erasmus who is prostrate having in innards removed, two putti above holding the crown and palm of martyrdom
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
Three Men and a Dog on a Hill
Three Men and a Dog on a Hill
Ercole Bazicaluva
Pen and crayon · 1600
The Metropolitan Museum of Art
Allegory in Honor of Louis XIV
Allegory in Honor of Louis XIV
Claude Mellan
Engraving; second state of three (BN) · 1600
The Metropolitan Museum of Art
Country Scene with a Peasant, Cow and Calf
Country Scene with a Peasant, Cow and Calf
Claude Mellan
Engraving; second state of two · 1600
The Metropolitan Museum of Art
The Calling of Saint Matthew
The Calling of Saint Matthew
Jan Sanders van Hemessen
Oil on wood · 1600
The Metropolitan Museum of Art
The Sacrifice of Noah
The Sacrifice of Noah
Aureliano Milani
Black chalk, brush and gray wash, on light tan paper · 1600
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
The Commandment to Love One Another
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Landscape
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
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