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Artworks

98,525 records by Stephen R. Milanowski · Art Institute Chicago
A New Place
A New Place
Marshall Brown
Graphite pencil, colored pencils, letraset, and collage on vellum drafting film · 2019
Art Institute of Chicago
The New Country
The New Country
Marshall Brown
Looped digital animation · 2019
Art Institute of Chicago
Screen (Trees and Moon)
Screen (Trees and Moon)
Silke Otto-Knapp
Watercolor on canvas, five joined panels · 2019
Art Institute of Chicago
Gerco de Ruyter, Grid Corrections
Gerco de Ruyter, Grid Corrections
Irma Boom
Book · 2019
Art Institute of Chicago
Untitled (Nina Challenge #3)
Untitled (Nina Challenge #3)
Amanda Williams
Collage of cut and torn, printed and colored papers, with brush and red ink, on white wove paper · 2019
Art Institute of Chicago
we are opposite like that
we are opposite like that
Himali Singh Soin
Single-channel video, color, sound, 12 min 54 sec · 2019
Art Institute of Chicago
Interlace, Woven Research
Interlace, Woven Research
Irma Boom
Book · 2019
Art Institute of Chicago
Reef
Reef
Liz Larner
Ceramic, glaze, stones, minerals · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut and pasted color offset lithographs · 2019
Art Institute of Chicago
Forming
Forming
Penny Siopis
Glue, ink and oil on canvas · 2019
Art Institute of Chicago
Dream of South Branch
Dream of South Branch
Bingyi
Ink on silk · 2019
Art Institute of Chicago
Lucas Blalock Reading 3.221: Objects Can Only Be Named. Signs Are Their Representatives. I Can Only Speak About Them: I Cannot Put Them Into Words. Propositions Can Only Say How Things Are, Not What They Are.
Lucas Blalock Reading 3.221: Objects Can Only Be Named. Signs Are Their Representatives. I Can Only Speak About Them: I Cannot Put Them Into Words. Propositions Can Only Say How Things Are, Not What They Are.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Arash Fewzee Reading 4.2211: Even if the World Is Infinitely Complex, so That Every Fact Consists of Infinitely Many States of Affairs and Every State of Many Objects, There Would Still Have to Be Objects and States of Affairs
Arash Fewzee Reading 4.2211: Even if the World Is Infinitely Complex, so That Every Fact Consists of Infinitely Many States of Affairs and Every State of Many Objects, There Would Still Have to Be Objects and States of Affairs
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
In Her Element
In Her Element
Penny Siopis
Glue, ink and oil on canvas · 2019
Art Institute of Chicago
Room 28, North, Madlener House
Room 28, North, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago
Untitled
Untitled
Elisabeth Wild
Collage of cut photomechanically printed papers · 2019
Art Institute of Chicago
Room 31, Southeast, Madlener House
Room 31, Southeast, Madlener House
Nelly Agassi
Gold gilt bullion wire, cloths of gold and silver with metallicized cotton, wool felt, and cotton thread on linen blend · 2019
Art Institute of Chicago
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Paul Mpagi Sepuya Reading 4.0311: One Name Stands for One Thing, Another for Another Thing, and They Are Combined With One Another. In This Way the Whole Group—Like A Tableau Vivant—Presents a State of Affairs.
Arthur Ou
Gelatin silver print · 2019
Art Institute of Chicago
Learning to Use Fire
Learning to Use Fire
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
Untitled
Untitled
Albert Oehlen
Lacquer and oil on Dibond · 2019
Art Institute of Chicago
Study for ‘Medusa’s Flight’
Study for ‘Medusa’s Flight’
Robert Nava
Crayon, grease pencil, brush and tempera, and graphite pencil, with smudging, on off-white wove paper · 2019
Art Institute of Chicago
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