Database / Artworks
Artworks
Signature, "TH. Nast, Oct. 17, 1901"
Thomas Nast
pen and brown ink on back of a Union League Club card · 1901
National Gallery of Art
The Cat's-Paw, Any Thing to Get Chestnuts
Thomas Nast
Lithograph on newsprint · 1892
Art Institute of Chicago
Their Coat of Arms
Thomas Nast
Lithograph on newsprint · 1889
Art Institute of Chicago
The Watch on Spoilers. The Democratic Tigers and Republian Vultures Must Be Kept at Bay.
Thomas Nast
wood engraving in black on newsprint · 1886
National Gallery of Art
Self-Portrait
Thomas Nast
etching · 1884
National Gallery of Art
Portrait of the Artist's Wife, Sarah Edwards Nast
Thomas Nast
etching · 1884
National Gallery of Art
Sketch for Medal for the Chicago World's Fair (recto), and Figure with Tree Roots (verso)
Thomas Nast
Pen and black ink, over graphite, with scraping, on ivory wove card, laid down on ivory wove card, laid down on ivory wood-pulp laminate board (recto), and pen and black ink and gray wash on ivory wood-pulp laminate board (verso) · 1882
Art Institute of Chicago
A Diplomatic (Chinese) Design Presented to U.S.
Thomas Nast
wood engraving in black on newsprint · 1881
National Gallery of Art
A Merry Christmas (published in "Harper's Weekly," January 3, 1880)
Thomas Nast
Relief print and electrotype · 1880
The Metropolitan Museum of Art
Santa Claus and Little Bo Peep (published in "Harper's Young People," December 23, 1879)
Thomas Nast
Relief print and electrotype · 1879
The Metropolitan Museum of Art
A Stocking Full (published in "Harper's Weekly," January 4, 1879)
Thomas Nast
Relief print and electrotype · 1879
The Metropolitan Museum of Art
The "Internationalists" Are to Make the World All One Millennium - (Chaos)
Thomas Nast
wood engraving in black on newsprint · 1878
National Gallery of Art
The Slave of Fashion (published in "Harper's Bazar," April 20, 1878)
Thomas Nast
Relief print and electrotype · 1878
The Metropolitan Museum of Art
On the Red Danube - "Bless You, My Children!"
Thomas Nast
wood engraving in black on newsprint, two-page centerfold · 1877
National Gallery of Art
Sheet of Sketches: Soldier on Horseback and Soldier with Sabre Conduting Prisoner (recto); Sheet of Sketches (verso)
Thomas Nast
Pen and black ink (recto) and graphite (verso) on ivory laid paper · 1876
Art Institute of Chicago
Drop 'Em
Thomas Nast
Lithograph on newsprint · 1872
Art Institute of Chicago
Vanity Fair: Statesman, No. 113 "The Massive Grievance"
Thomas Nast
color lithograph · 1872
Cleveland Museum of Art
Vanity Fair: Statesman, No. 118 "Anything to Beat Grant"
Thomas Nast
color lithograph · 1872
Cleveland Museum of Art
Arlington Heights. Die Wacht. Am Potomac.
Thomas Nast
wood engraving in black on newsprint · 1871
National Gallery of Art
We Know Nothing about the Stolen Vouchers
Thomas Nast
Lithograph in black on newsprint · 1871
Art Institute of Chicago
King Death's Distribution of Prizes. Bacchus Takes the First Premium.
Thomas Nast
wood engraving in black on newsprint · 1870
National Gallery of Art
Sheet of Sketches: The Power of the Catholic Priests (recto); Sheet of Sketches (verso)
Thomas Nast
Graphite (recto and verso) on ivory laid paper · 1868
Art Institute of Chicago
Why He Cannot Sleep
Thomas Nast
wood engraving in black on newsprint · 1866
National Gallery of Art
Santa Claus in Camp (published in "Harper's Weekly," January 3, 1863)
Thomas Nast
Relief print and electrotype · 1863
The Metropolitan Museum of Art