Artworks

Andrea Mantegna

Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper, pieced and prepared with yellow wash · 1700

Torii Kiyonobu I

Hand-colored woodblock print; hosoban, tan-e · 1700

Giovanni Battista Tiepolo

Pen and brown ink, with brush and gray wash, over traces of black chalk, on tan wove paper, laid down on ivory laid paper · 1700

Abraham Bloemaert

Pen and brown ink, and brush and brown wash, heightened with lead white (discolored), over graphite on cream laid card, laid down on ivory wove card · 1700

Perino del Vaga

Red chalk on ivory laid paper, laid down on card · 1700

Andrea Mantegna

Pen and brown ink, with brush and gray wash, heightened with lead white (oxidized), on cream laid paper prepared with yellow wash · 1700

Govert Willemnz

Tin-glazed earthenware (Delftware) · 1700

Raphaelle Peale

Red chalk on ivory laid paper, laid down on wood pulp board · 1700

Giovanni Battista Piazzetta

Black chalk on blue laid paper · 1700

Michelangelo Buonarroti

Graphite (recto and verso) on ivory wove paper · 1700

Raphael

Charcoal, with stumping, on cream laid paper (discolored to tan), tipped on to tan wove paper · 1700

Raphael

Red chalk on ivory laid paper · 1700

Perino del Vaga

Red chalk on ivory laid paper, laid down on card · 1700

Raphael

Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700

Torii Kiyomasu

Woodblock print in black ink and watercolor on cream Japanese paper · 1700

Raphael

Black and red chalk with stumping, heightened with white chalk, on blue laid paper, laid down on cream laid paper · 1700

John Sell Cotman

Graphite on tan wove paper · 1700

Raphael

Red chalk on ivory laid paper · 1700

James Barry

Pen and brown ink with brush and gray wash and traces of graphite, on ivory laid paper, laid down on cream laid paper · 1700

H. Cotta

Lithograph on tan wove paper · 1700

Parmigianino

Black chalk, with brush and brown wash, on ivory laid paper, partially laid down on blue wove paper · 1700

Raphael

Metalpoint and black chalk, with traces of white chalk, on pale blue-toned cream laid paper · 1700

Veronese (Paolo Caliari)

Pen and black ink, with brush and gray wash, heightened with lead white (partly oxidized) and touches of orange gouache, on ivory laid paper, laid down on tan wove paper · 1700

Manchu

Center: silk, slit tapestry weave with eccentric and interlaced outlining wefts; painted; border: silk, warp-float faced 5:1 satin weave with weft-float faced 1:2 twill interlacings of secondary binding warp-float faced 7:1 satin weave; lined with silk, 3:1 twill damask weave · 1700