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Artworks

43 records by Jacob Lawrence
The Opener from the series The Life of Toussaint L'Ouverture
The Opener from the series The Life of Toussaint L'Ouverture
Jacob Lawrence
Screenprint · 1997
Museum of Modern Art
The March from the series The Life of Toussaint L'Ouverture
The March from the series The Life of Toussaint L'Ouverture
Jacob Lawrence
Screenprint · 1995
Museum of Modern Art
To Preserve Their Freedom from the series The Life of Toussaint L'Ouverture
To Preserve Their Freedom from the series The Life of Toussaint L'Ouverture
Jacob Lawrence
Screenprint · 1988
Museum of Modern Art
Confrontation at the Bridge
Confrontation at the Bridge
Jacob Lawrence
Color screenprint on white wove card · 1975
Art Institute of Chicago
Harlem Street Scene
Harlem Street Scene
Jacob Lawrence
Color screenprint on cream wove paper · 1975
Art Institute of Chicago
The Builders
The Builders
Jacob Lawrence
Screenprint in black, red, gray, blue, ochre, and yellow on cream wove paper · 1974
Art Institute of Chicago
The 1920's ... The Migrants Arrive and Cast Their Ballots from Kent Bicentennial Portfolio: Spirit of Independence
The 1920's ... The Migrants Arrive and Cast Their Ballots from Kent Bicentennial Portfolio: Spirit of Independence
Jacob Lawrence
Screenprint from a portfolio of six lithographs, four screenprints (one with collage additions), and two lithograph and screenprints · 1974
Museum of Modern Art
Street Shadows
Street Shadows
Jacob Lawrence
Egg tempera on board · 1959
Museum of Modern Art
Sedation
Sedation
Jacob Lawrence
Casein tempera on paper · 1950
Museum of Modern Art
Graduation
Graduation
Jacob Lawrence
Brush and black ink, over graphite, on cream wove paper · 1948
Art Institute of Chicago
The Wedding
The Wedding
Jacob Lawrence
Egg tempera on hardboard · 1948
Art Institute of Chicago
This Is a Family Living in Harlem
This Is a Family Living in Harlem
Jacob Lawrence
Gouache, ink, and pencil on paper · 1943
Museum of Modern Art
Virginia Interior
Virginia Interior
Jacob Lawrence
Gouache on ivory wove paper · 1942
Art Institute of Chicago
Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred
Although the Negro was used to lynching, he found this an opportune time for him to leave where one had occurred
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties
The labor agent who had been sent South by Northern industry was a very familiar person in the Negro counties
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation
Another of the social causes of the migrants' leaving was that at times they did not feel safe, or it was not the best thing to be found on the streets late at night. They were arrested on the slightest provocation
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes
Child labor and a lack of education was one of the other reasons for people wishing to leave their homes
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
And people all over the South began to discuss this great movement
And people all over the South began to discuss this great movement
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement
In many of the communities the Negro press was read continually because of its attitude and its encouragement of the movement
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
The trains were packed continually with migrants
The trains were packed continually with migrants
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
The migrants arrived in great numbers
The migrants arrived in great numbers
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
Living conditions were better in the North
Living conditions were better in the North
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
The railroad stations in the South were crowded with people leaving for the North
The railroad stations in the South were crowded with people leaving for the North
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home
The World War had caused a great shortage in Northern industry and also citizens of foreign countries were returning home
Jacob Lawrence
Casein tempera on hardboard · 1940
Museum of Modern Art
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