Database / Artworks
Artworks

At left four shepherds with musical instruments seated under a group of trees; at right a hilly landscape with buildings
Giulio Campagnola
Engraving · 1512
The Metropolitan Museum of Art

The Adoration of the Magi
Correggio
Red chalk, highlighted with white gouache · 1512
The Metropolitan Museum of Art

An Allegory: Female Figure with a Compass, God the Father Seated on Clouds, and a Demon
Prospero Fontana
Pen and brown ink, brush and gray wash, over black chalk; framing lines in pen and brown ink, brush and brown wash · 1512
The Metropolitan Museum of Art

Martyrdom of Saint Catherine of Alexandria
Bernardino Lanino
Pen and brown ink · 1512
The Metropolitan Museum of Art

The Adoration of the Magi
Antonio Allegri Da Correggio
Red chalk, highlighted with white gouache · 1512
The Metropolitan Museum of Art

A Frieze Portraying a Music Party
Niccolò dell' Abate
Red chalk · 1512
The Metropolitan Museum of Art

The Holy Family
Joos van Cleve
Oil on wood · 1512
The Metropolitan Museum of Art

A Frieze Portraying a Music Party
Niccolò dell' Abate
Red chalk · 1512
The Metropolitan Museum of Art

The Rest on the Flight into Egypt
David
Oil on wood · 1512
The Metropolitan Museum of Art

The Rest on the Flight into Egypt
David
Oil on wood · 1512
The Metropolitan Museum of Art

The Transfiguration, after Raphael
Biagio Pupini
Brush and brown wash, highlighted with white gouache, over traces of charcoal, on blue paper · 1511
The Metropolitan Museum of Art

Judith Decapitating Holofernes
Giorgio Vasari
Pen and brown ink, brown wash · 1511
The Metropolitan Museum of Art

The Judgment of Solomon, after Raphael
Biagio Pupini
Charcoal, brush and gray wash, highlighted with white, on blue paper · 1511
The Metropolitan Museum of Art

The Abduction of Ganymede
Giorgio Vasari
Pen and brown ink, brush and brown wash, highlighted with white, over black chalk on blue paper; squared in black chalk · 1511
The Metropolitan Museum of Art

The Judgment of Solomon, after Raphael
Biagio Pupini
Charcoal, brush and gray wash, highlighted with white, on blue paper · 1511
The Metropolitan Museum of Art

The Transfiguration, after Raphael
Biagio Pupini
Brush and brown wash, highlighted with white gouache, over traces of charcoal, on blue paper · 1511
The Metropolitan Museum of Art

Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Biagio Pupini
Pen and brown ink, brush and brown wash, highlighted with white, with ruled lines on beige paper (recto); rubbed with charcoal (for transfer?) and further ruled lines (verso) · 1511
The Metropolitan Museum of Art

Ornamental Frieze
Orsi
Pen and brown ink, brush and brown wash · 1511
The Metropolitan Museum of Art

Battle Scene
Orsi
Pen and brown ink, brush and brown wash, highlighted with white gouache, over black chalk; squared in black chalk · 1511
The Metropolitan Museum of Art

Triumphal Scene
Orsi
Pen and brown ink, brush and brown wash, heightened with white gouache, over black chalk · 1511
The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art

Penitent Woman Anointing the Feet of Christ at the Table of Simon the Pharisee (Luke 7:36-50)
Biagio Pupini
Pen and brown ink, brush and brown wash, highlighted with white, with ruled lines on beige paper (recto); rubbed with charcoal (for transfer?) and further ruled lines (verso) · 1511
The Metropolitan Museum of Art

Design for a Fountain with River Gods and Nymphs
Giorgio Vasari
Pen and brown ink, brush and brown wash, over traces of leadpoint · 1511
The Metropolitan Museum of Art

Studies for the Libyan Sibyl (recto); Studies for the Libyan Sibyl and a small Sketch for a Seated Figure (verso)
Michelangelo Buonarroti
Red chalk, with small accents of white chalk on the left shoulder of the figure in the main study (recto); soft black chalk, or less probably charcoal (verso) · 1511
The Metropolitan Museum of Art