Database / Artworks
Artworks
The Adoration of the Holy Trinity in the New Covenant
Friedrich Sustris
Pen and gray ink, gray wash; laid down; framing line in pen and brown ink · 1588
The Metropolitan Museum of Art
Trotting horse
Giambologna
Bronze · 1587
The Metropolitan Museum of Art
Pair of Gauntlets Belonging to the Armor of Duke Friedrich Ulrich of Brunswick (1591–1634)
Royal Workshops at Greenwich
Steel, gold, leather, textile, copper alloy · 1587
The Metropolitan Museum of Art
Mary, Queen of Scots
Léonard Gaultier
Engraving · 1587
The Metropolitan Museum of Art
Two Children Teasing a Cat
Annibale Carracci
Oil on canvas · 1587
The Metropolitan Museum of Art
Hercules and Cerberus
Aegidius Sadeler II
Engraving · 1586
The Metropolitan Museum of Art
Moving the Vatican Obelisk, from "Speculum Romanae Magnificentiae"
Bonifacio
Etching, printed from three plates · 1586
The Metropolitan Museum of Art
Studies of Fruits, Insects and Shells
Georg Flegel
Watercolor on parchment · 1586
The Metropolitan Museum of Art
Publius Horatius
Hendrick Goltzius
Engraving · 1586
The Metropolitan Museum of Art
Hercules and Cerberus
Aegidius Sadeler, II
Engraving · 1586
The Metropolitan Museum of Art
Allegory of Asia, from "The Four Continents"
Marcus Gheeraerts the Elder
Engraving · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Agostino Carracci, Italian
Engraving, second state · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Virtue as a young woman in the centre of four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in orange ink · 1585
The Metropolitan Museum of Art
Walls, Towers, and Gates of Amsterdam
Jacob Savery
Pen and brown ink · 1585
The Metropolitan Museum of Art
Virtue as a young woman surrounded by four figures representing love, error, ignorance and opinion
Andrea Andreani
Chiaroscuro woodcut printed from four blocks in brown ink · 1585
The Metropolitan Museum of Art
Song of the Lute
Ding Yunpeng
Hanging scroll; ink and color on paper · 1585
The Metropolitan Museum of Art
Christ is being led away, soldiers stand at the right (right side of sheet)
Andrea Andreani
Chiaroscuro woodcut from four blocks printed in green-brown ink · 1585
The Metropolitan Museum of Art
Orpheus and Eurydice
Agostino Carracci
Engraving, second state · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Joachim Patinir
Aegidius Sadeler II
Engraving · 1585
The Metropolitan Museum of Art
The Rape of the Sabines
Andrea Andreani
Chiaroscuro woodcut in three sections (joined), each printed from four blocks · 1585
The Metropolitan Museum of Art
Ecce Homo
Hans von Aachen
Pen and brown ink, brush and gray wash, over black chalk · 1585
The Metropolitan Museum of Art
Saints John the Evangelist, Paul, Peter, and Stephen
Ferraù Fenzoni
Black chalk, pen and brown ink, brush and brown wash · 1585
The Metropolitan Museum of Art