Database / Artworks
Artworks
Wedding medallion
Heinrich Aldegrever
Silver · 1600
The Metropolitan Museum of Art
Study of Two Cows
Aelbert Cuyp
Black chalk and black and gray wash (remains of framingline in red chalk) · 1600
The Metropolitan Museum of Art
"Diana, Goddess of the Hunt", Folio from the Davis Album
Ali
Ink, opaque watercolor, and gold on paper · 1600
The Metropolitan Museum of Art
Henry IV, King of France (b. 1553, r. 1589–1610)
Dupré
Steel, inlaid gold, gilt · 1600
The Metropolitan Museum of Art
Woman in a Black Kimono
Katsukawa Shunshō
Hanging scroll; ink, color, and gold on silk · 1600
The Metropolitan Museum of Art
Landscape with view of a town (one of three)
Christoph Murer
Glass · 1600
The Metropolitan Museum of Art
Plato's symposium: Socrates and his companions seated around a table discussing ideal love interruputed by Acibiades at left
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
The deluge, figures being pulled from the water
Pietro Testa
Etching · 1600
The Metropolitan Museum of Art
The Elevation of the Cross from a set of The Passion
Hans Wechtlin
Wool, silk, metal thread (20 warp threads per inch, 8 per cm.) · 1600
The Metropolitan Museum of Art
Seated Female Nude
Domenico Tintoretto
Black and white chalk on blue paper · 1600
The Metropolitan Museum of Art
Pine Tree (obverse); Landscape (reverse)
Kano School
Two-panel folding screen; ink, color, and gold on paper (obverse); ink and color on paper (reverse side) · 1600
The Metropolitan Museum of Art
Reclining Female Nude
Domenico Tintoretto
Black and white chalk on blue paper · 1600
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
The Adoration of the Shepherds
Gerrit Pietersz Sweelink
Pen and brown ink, brownish-red wash, heightened with white gouache; framing line in pen and brown ink, by a later hand · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci, Italian
Engraving · 1599
The Metropolitan Museum of Art
Saint Francis kneeling with his arms outstretched, looking towards a cherub at upper left
Raphael Sadeler, I
Engraving · 1599
The Metropolitan Museum of Art
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Hans Sibmacher
Etching · 1599
The Metropolitan Museum of Art
The Commandment to Love One Another
Gillis van Breen
Engraving; second state · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn van de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Crispijn de Passe the Elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Omnia Vincit Amor
Agostino Carracci
Engraving · 1599
The Metropolitan Museum of Art
Study for an engraving in the Hortus Voluptatum
Passe, Crispijn de, the elder
Pen and brown ink, brush and blue wash, over black chalk. Incised · 1599
The Metropolitan Museum of Art
Landscape
MONK
Hanging scroll; ink on satin · 1599
The Metropolitan Museum of Art