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Artworks

368 records by Thomas Stothard
Illustration to Dryden’s ‘Fables’: A Girl Seated in an Arbour. Study for ‘The Flower and the Leaf’
Illustration to Dryden’s ‘Fables’: A Girl Seated in an Arbour. Study for ‘The Flower and the Leaf’
Thomas Stothard
Ink on paper · 1806
Tate
The Pilgrimage to Canterbury
The Pilgrimage to Canterbury
Thomas Stothard
Oil paint on oak · 1806
Tate
Sketch for ‘The Pilgrimage to Canterbury’, with a compositional sketch, a key to the figures, and studies of heads and figures
Sketch for ‘The Pilgrimage to Canterbury’, with a compositional sketch, a key to the figures, and studies of heads and figures
Thomas Stothard
Ink on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink on paper · 1806
Tate
Sketch for ‘The Pilgrimage to Canterbury’, with studies of heads, figures on horseback, and two group sketches
Sketch for ‘The Pilgrimage to Canterbury’, with studies of heads, figures on horseback, and two group sketches
Thomas Stothard
Ink on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Graphite on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink and watercolour on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink on paper · 1806
Tate
The First Drawing ... made for Ritson
The First Drawing ... made for Ritson
Thomas Stothard
Ink and watercolour on paper · 1806
Tate
[title not known]
[title not known]
Thomas Stothard
Ink and graphite on paper · 1806
Tate
View from Llandinam towards Llaniddloes. Verso: Sketch
View from Llandinam towards Llaniddloes. Verso: Sketch
Thomas Stothard
Watercolour and ink on paper · 1805
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Two Sleeping Children, for the Headpiece ‘The Murder of Edward V and his Brother’
Sketch for Illustration to Bowyer’s ‘History of England’: Two Sleeping Children, for the Headpiece ‘The Murder of Edward V and his Brother’
Thomas Stothard
Ink and watercolour on paper · 1805
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Oliver Cromwell Dissolving the Long Parliament
Sketch for Illustration to Bowyer’s ‘History of England’: Oliver Cromwell Dissolving the Long Parliament
Thomas Stothard
Ink on paper · 1805
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Queen Elizabeth at Tilbury
Sketch for Illustration to Bowyer’s ‘History of England’: Queen Elizabeth at Tilbury
Thomas Stothard
Ink and watercolour on paper · 1805
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Two Recumbent Children, for the Headpiece ‘The Murder of Edward V and his Brother’. Verso: Sketches of a Mother and Child
Sketch for Illustration to Bowyer’s ‘History of England’: Two Recumbent Children, for the Headpiece ‘The Murder of Edward V and his Brother’. Verso: Sketches of a Mother and Child
Thomas Stothard
Ink on paper. Verso: ink on paper · 1805
Tate
Sketch for Illustration to Bowyer’s ‘History of England’: Studies for ‘The Crown Offered to Oliver Cromwell’. Verso: Heads, and Two Death-Bed Scenes
Sketch for Illustration to Bowyer’s ‘History of England’: Studies for ‘The Crown Offered to Oliver Cromwell’. Verso: Heads, and Two Death-Bed Scenes
Thomas Stothard
Ink on paper. Verso: graphite and ink on paper · 1805
Tate
Canterbury Pilgrims
Canterbury Pilgrims
Thomas Stothard
Pen and black ink with brush and gray wash, over graphite, on ivory laid paper, laid down on card · 1805
Art Institute of Chicago
The Lost Apple
The Lost Apple
Thomas Stothard
pen-and-tusche lithograph · 1803
National Gallery of Art
Frontispiece from Marmion, in the 1809 Royal Engagements Pocket Book
Frontispiece from Marmion, in the 1809 Royal Engagements Pocket Book
Thomas Stothard
Engraving on paper · 1803
Art Institute of Chicago
Study for frontispiece from Marmion
Study for frontispiece from Marmion
Thomas Stothard
Ink Wash on paper · 1803
Art Institute of Chicago
The Lost Apple, from the first issue of Specimens of Polyautography
The Lost Apple, from the first issue of Specimens of Polyautography
Thomas Stothard
Lithograph in black on cream wove paper, tipped onto mount with aquatint border in brown on cream wove paper · 1803
Art Institute of Chicago
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