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Artworks

368 records by Thomas Stothard
A Group of Preliminary Sketches for Stothard’s ‘The Pilgrimage to Canterbury’
A Group of Preliminary Sketches for Stothard’s ‘The Pilgrimage to Canterbury’
Thomas Stothard
Engraving on paper · 1850
Tate
The Pilgrimage to Canterbury, engraved by ?Leopold Beyer
The Pilgrimage to Canterbury, engraved by ?Leopold Beyer
Thomas Stothard
Engraving on paper · 1830
Tate
Two Allegorical Female Figures Clasping Hands before Book
Two Allegorical Female Figures Clasping Hands before Book
Thomas Stothard
Pen and black ink with brush and gray wash, on cream wove paper · 1830
Art Institute of Chicago
Tilbury Fort Sketched from the Window of the Pope’s Head Tavern, Gravesend
Tilbury Fort Sketched from the Window of the Pope’s Head Tavern, Gravesend
Thomas Stothard
Graphite and watercolour on paper · 1829
Tate
Sketch for an Illustration to Peter Coxe’s ‘The Social Day’: Four Seated Figures in Contemporary Costume
Sketch for an Illustration to Peter Coxe’s ‘The Social Day’: Four Seated Figures in Contemporary Costume
Thomas Stothard
Ink on paper · 1822
Tate
Study Connected with J. Ritson’s ‘Caledonian Muse’: A Group of Nude Fighting Men. Verso: Various Studies Including a Group Seated round a Table
Study Connected with J. Ritson’s ‘Caledonian Muse’: A Group of Nude Fighting Men. Verso: Various Studies Including a Group Seated round a Table
Thomas Stothard
Ink, chalk and graphite on paper. Verso: ink and graphite on paper · 1821
Tate
Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch
Study Connected with J. Ritson’s ‘Caledonian Muse’: Men with Spears, Fighting. Verso: Sketch
Thomas Stothard
Ink and watercolour on paper. Verso: graphite on paper · 1821
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The Vintage
The Vintage
Thomas Stothard
Oil paint on canvas · 1821
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The Pilgrimage to Canterbury
The Pilgrimage to Canterbury
Thomas Stothard
Engraving on paper · 1820
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The Pilgrimage to Canterbury
The Pilgrimage to Canterbury
Thomas Stothard
Wood engraving on paper · 1820
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Sans Souci
Sans Souci
Thomas Stothard
Oil paint on wood · 1817
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Diana and her Nymphs Bathing
Diana and her Nymphs Bathing
Thomas Stothard
Oil paint on canvas · 1816
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Design for a Frieze. A Chariot in a Victorious Procession
Design for a Frieze. A Chariot in a Victorious Procession
Thomas Stothard
Graphite and ink on paper · 1814
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Calypso with her Nymphs Caressing Cupid
Calypso with her Nymphs Caressing Cupid
Thomas Stothard
Oil paint on mahogany · 1814
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Shakespearean Characters
Shakespearean Characters
Thomas Stothard
Oil paint on paper · 1813
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Pilgrimage to Canterbury
Pilgrimage to Canterbury
Thomas Stothard
etching · 1812
Cleveland Museum of Art
Hafod
Hafod
Thomas Stothard
Graphite on paper · 1810
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Designs for Rundell and Bridge’s Transparency
Designs for Rundell and Bridge’s Transparency
Thomas Stothard
Graphite, ink and watercolour on paper · 1810
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Thirlmere: Below, Detailed Sketches Showing the Lake and Mountains
Thirlmere: Below, Detailed Sketches Showing the Lake and Mountains
Thomas Stothard
Graphite and watercolour on paper · 1809
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Edinburgh, Castle Hill
Edinburgh, Castle Hill
Thomas Stothard
Graphite on paper · 1809
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Study for the Figure of Nina in Voltaire’s Opera. Verso: A Group Supporting a Woman, and Other Figures, Connected with ‘Amintor and Theodora’
Study for the Figure of Nina in Voltaire’s Opera. Verso: A Group Supporting a Woman, and Other Figures, Connected with ‘Amintor and Theodora’
Thomas Stothard
Graphite and ink on paper · 1809
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Study for ‘Don Quixote’: Sancho and the Duchess
Study for ‘Don Quixote’: Sancho and the Duchess
Thomas Stothard
Ink on paper · 1809
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Study for ‘Don Quixote’: Title Vignette; A Trophy of Arms and a White Mule
Study for ‘Don Quixote’: Title Vignette; A Trophy of Arms and a White Mule
Thomas Stothard
Oil paint on paper · 1809
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The Pilgrimage to Canterbury, engraved by Louis Schiavonetti and James Heath
The Pilgrimage to Canterbury, engraved by Louis Schiavonetti and James Heath
Thomas Stothard
Etching and engraving on paper · 1809
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