Database / Artworks
Artworks
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Design for a Sarcophagus Supported by Putti for the Church of S. Maria Maddalena de' Pazzi, Florence.
Giovanni Battista Foggini
Pen and brown ink, brush and gray wash over black chalk or graphite · 1652
The Metropolitan Museum of Art
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Design for a Tomb of Epitaph (recto); An Unfinished Variation of a Tomb or Epitaph (verso)
Giovanni Battista Foggini
Pen and brown ink over traces of black chalk (recto and verso) · 1652
The Metropolitan Museum of Art
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Design for a Helmet with a Sphinx presented in 3/4 View
Giovanni Battista Foggini
Pen and brown ink, brush and light brown wash, over traces of black chalk · 1652
The Metropolitan Museum of Art
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Design for a Frame or Epitaph (recto); Caryatid Supporting a Frame (verso)
Giovanni Battista Foggini
Pen and light brown ink, brush and brown wash over traces of black chalk (recto); Black chalk (verso) · 1652
The Metropolitan Museum of Art
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Design for a Chalice (recto); Design for the Base of a Vase (verso)
Giovanni Battista Foggini
Pen and brown ink, brush and brown wash, over traces of black chalk. Verso: graphite · 1652
The Metropolitan Museum of Art
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Designs for a Pilaster Ornament and Cartouche (recto); Design for a Window or a Wall Plaque (verso).
Giovanni Battista Foggini
Pen and brown ink, over traces of black chalk; verso: pen and brown ink over traces of black chalk · 1652
The Metropolitan Museum of Art
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Design for the Frame of a Mirror or Fire Screen (recto); Various Sketches (verso).
Giovanni Battista Foggini
Pen and brown ink, over traces of black chalk. Verso: pen and brown ink · 1652
The Metropolitan Museum of Art
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Design for a Frieze Decorated With a Palmette and Tendrils (recto); Two Designs for a Rosette (verso)
Giovanni Battista Foggini
Pen and brown ink, over traces of black chalk · 1652
The Metropolitan Museum of Art
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Design for a Two-Handled Urn with Acanthus, Shell, and Egg-and-Tongue Motif.
Giovanni Battista Foggini
Pen and brown ink, brush and light brown wash, over traces of black chalk or graphite · 1652
The Metropolitan Museum of Art
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Design for the Crowning Decorations of a Gate (recto); Sketches of Stone Blocks with Measurements (verso)
Giovanni Battista Foggini
Pen and light brown ink, brush and gray wash, over traces of graphite (Recto). Pen and brown ink (Verso) · 1652
The Metropolitan Museum of Art
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Design for a Pedestal (recto); Design for the Plan of a Monument (verso)
Giovanni Battista Foggini
Pen and brown ink over traces of black chalk. Vertical ruling lines (recto). Black chalk (verso) · 1652
The Metropolitan Museum of Art
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Design for a Lectern (recto); Design for a Cartouche (verso).
Giovanni Battista Foggini
Pen and brown ink, brush and brown wash, over traces of black chalk (recto); pen and brown ink and black chalk (verso) · 1652
The Metropolitan Museum of Art
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Two Designs for Vases (recto); Design for Candle Stick (?) (verso)
Giovanni Battista Foggini
Pen and brown ink, brush and brown and gray wash, over traces of black chalk. Traces of a vertical black chalk line through the center of the design. Verso: graphite · 1652
The Metropolitan Museum of Art
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Table or Basin Supported by Male Sirens (recto); Sketch for the Same Subject (verso) .
Giovanni Battista Foggini
Pen and brown ink, over traces of black chalk (recto); Pen and light brown ink, over traces of black chalk (verso) · 1652
The Metropolitan Museum of Art
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Design for a Fountain with Two Water-Spouting Lions (recto); Sketch for Triumph of Galatea [?] (verso).
Giovanni Battista Foggini
Pen and brown ink, over traces of black chalk. Verso: pen and brown ink over black chalk (Verso) · 1652
The Metropolitan Museum of Art
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Studies for a Sculpture with Figures of Prudence, Industry and Economy Supported by Slaves and an Oval Plaque with Cartouche; Separate Study for a Cupola (Recto). Studies for Figural Ornament (Verso).
Giovanni Battista Foggini
Pen and brown ink, brush and gray wash, over traces of black chalk (recto and verso) · 1652
The Metropolitan Museum of Art
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Design for a Ewer with Bull's Heads under the Handels and Spout
Giovanni Battista Foggini
Pen and brown ink, brush and gray wash, over traces of black chalk; glued onto secondary paper support · 1652
The Metropolitan Museum of Art
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Studies for a Kneeling Figure of Christ and Altar Fronts.
Giovanni Battista Foggini
Pen and brown ink, brush and gray wash over traces of black chalk; the secondary paper support is outlined with brush and pink wash on the verso · 1652
The Metropolitan Museum of Art
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Design for a Ewer with Neptune on his Chariot
Giovanni Battista Foggini
Pen and brown ink, brush and brown and gray wash, over traces of black chalk (recto); pen and brown ink (verso) · 1652
The Metropolitan Museum of Art
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Sheet with Various Designs for Tables and a Funerary Monument
Giovanni Battista Foggini
Pen and brown ink, brush and gray wash, over traces of black chalk · 1652
The Metropolitan Museum of Art
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Female Mask Surrounded by Tendrils
Giovanni Battista Foggini
Pen and brown ink, over preliminary drawing in black chalk · 1652
The Metropolitan Museum of Art
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Design for a Helmet with a Dragon Presented in Frontal View
Giovanni Battista Foggini
Pen and brown ink, brush and light brown wash, over traces of black chalk · 1652
The Metropolitan Museum of Art
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Two Studies for Helmet Designs Presented En Profil
Giovanni Battista Foggini
Pen and brown ink, brush and light brown wash, over traces of black chalk · 1652
The Metropolitan Museum of Art
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Design for a Helmet with an Elaborate Plume
Giovanni Battista Foggini
Pen and brown ink, brush and light brown wash, over traces of black chalk · 1652
The Metropolitan Museum of Art