Database / Artworks
Artworks

Effect of Light
James Ensor
Oil paint on canvas · 1935
Tate

Poster for Carnival at Ostende
James Ensor
Lithograph · 1931
Museum of Modern Art

Sketchbook
James Ensor
Sketchbook with 59 pages of sketches in colored pencil, crayon and chalk with graphite and ink inscriptions on ivory, pink, green and blue wove papers, bound in black leather · 1929
Art Institute of Chicago

Temptation of Saint Anthony
James Ensor
Monotype in brown ink with colored pencil and pen and black ink on cream laid paper · 1925
Art Institute of Chicago

Anger, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

Gluttony, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

Envy, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

Avarice, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

Perplexed Masks
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

Pride, from The Deadly Sins
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

The Deadly Sins Dominated by Death, from The Deadly Sins
James Ensor
Etching from a copper plate, with hand-coloring, on ivory wove paper · 1904
Art Institute of Chicago

The Deadly Sins Dominated by Death (Les Péchés capitaux dominés par la mort) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1904
Museum of Modern Art

Envy (L'Envie) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1904
Museum of Modern Art

Pride (L'Orgeuil) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1904
Museum of Modern Art

Anger (La Colère) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1904
Museum of Modern Art

Gluttony (La Gourmandise) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1904
Museum of Modern Art

Avarice (L'Avarice) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1904
Museum of Modern Art

The Beach at La Panne
James Ensor
Etching · 1904
Museum of Modern Art
The Seven Deadly Sins: Gluttony
James Ensor
etching · 1904
Cleveland Museum of Art

Sloth, from The Deadly Sins
James Ensor
Etching with drypoint from a copper plate, with hand-coloring, on ivory wove paper · 1902
Art Institute of Chicago

Sloth (La Paresse) from The Deadly Sins (Les Péchés capitaux)
James Ensor
One from a portfolio of eight etchings with colored pencil and watercolor additions · 1902
Museum of Modern Art

Sloth (La Paresse)
James Ensor
Etching with colored pencil and watercolor additions · 1902
Museum of Modern Art
The Seven Deadly Sins
James Ensor
etching · 1902
Cleveland Museum of Art
The Seven Deadly Sins: Sloth
James Ensor
etching · 1902
Cleveland Museum of Art