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Artworks

96 records by Annibale Carracci
Pietà (the "Christ of Caprarola")
Pietà (the "Christ of Caprarola")
Annibale Carracci
etching, engraving and drypoint · 1597
National Gallery of Art
Susanna and the Elders (recto); Profile Head of Woman (verso)
Susanna and the Elders (recto); Profile Head of Woman (verso)
Annibale Carracci
Black chalk (recto), and red chalk (verso), on cream laid paper · 1597
Art Institute of Chicago
Pietà
Pietà
Annibale Carracci
Pen and brown ink with brush and brown and red wash, heightened with white gouache, on tan ground on laid paper, laid down on cream wove board · 1597
Art Institute of Chicago
Christ of Caprarola
Christ of Caprarola
Annibale Carracci
Engraving, with etching and drypoint, on ivory laid paper · 1597
Art Institute of Chicago
Christ of Caprarola
Christ of Caprarola
Annibale Carracci
Etching, with engraving and drypoint, on ivory laid paper · 1597
Art Institute of Chicago
Study of Hercules Resting, with Separate Studies of His Head and Foot (recto); Rectangular grid design (verso)
Study of Hercules Resting, with Separate Studies of His Head and Foot (recto); Rectangular grid design (verso)
Annibale Carracci
Black chalk, heightened with white chalk, on blue laid paper · 1595
Art Institute of Chicago
T
The Burial of Christ
Annibale Carracci
Oil on copper · 1595
The Metropolitan Museum of Art
S
Saint John the Baptist Bearing Witness
Annibale Carracci
Oil on copper · 1595
The Metropolitan Museum of Art
T
The Coronation of the Virgin
Annibale Carracci
Oil on canvas · 1595
The Metropolitan Museum of Art
The Coronation of the Virgin
The Coronation of the Virgin
Annibale Carracci
Oil on canvas · 1595
The Metropolitan Museum of Art
The Burial of Christ
The Burial of Christ
Annibale Carracci
Oil on copper · 1595
The Metropolitan Museum of Art
Landscape with Man Sleeping beneath Tree (recto); Landscape with a Horseman (verso)
Landscape with Man Sleeping beneath Tree (recto); Landscape with a Horseman (verso)
Annibale Carracci
Pen and brown ink (recto) and pen and brown, purple, red, and green inks (verso) on cream laid paper · 1595
Art Institute of Chicago
Studies van handen, een hals en een oor
Studies van handen, een hals en een oor
Annibale Carracci
chalk, paper · 1595
Rijksmuseum
Saint John the Baptist Bearing Witness
Saint John the Baptist Bearing Witness
Annibale Carracci
Oil on copper · 1595
The Metropolitan Museum of Art
C
Crawling Male Figure (Study for Cacus)
Annibale Carracci
Charcoal or soft black chalk, highlighted with traces of white chalk, on blue-gray paper faded light brown · 1593
The Metropolitan Museum of Art
Venus and a Satyr
Venus and a Satyr
Annibale Carracci
etching with engraving on laid paper · 1592
National Gallery of Art
Venus and Satyr
Venus and Satyr
Annibale Carracci
Engraving with etching and plate tone on ivory laid paper · 1592
Art Institute of Chicago
Drunken Silenus (the "Tazza Farnese")
Drunken Silenus (the "Tazza Farnese")
Annibale Carracci
Engraving on ivory laid paper · 1592
Art Institute of Chicago
W
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci
Engraving printed from shallow silver cup · 1592
The Metropolitan Museum of Art
T
Triton Sounding a Conch Shell
Annibale Carracci
Charcoal or soft black chalk on blue-gray paper; traces of framing outlines in pen and black ink and black chalk · 1592
The Metropolitan Museum of Art
Drie hoofden van mannen
Drie hoofden van mannen
Annibale Carracci
brush on ink · 1592
Rijksmuseum
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Wilton album, folio 41: The Drunken Silenus (Tazza Farnese)
Annibale Carracci
Engraving printed from shallow silver cup · 1592
The Metropolitan Museum of Art
Saint Jerome in the Wilderness
Saint Jerome in the Wilderness
Annibale Carracci
etching and engraving on laid paper · 1591
National Gallery of Art
Saint Jerome in the Wilderness
Saint Jerome in the Wilderness
Annibale Carracci
etching and engraving on laid paper · 1591
National Gallery of Art
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