Database / Artworks
Artworks
Seated Satyr
Annibale Carracci
Red chalk, over black chalk, on tan laid paper with blue fibers, laid down on cream laid paper · 1642
Art Institute of Chicago
Christ Crowned with Thorns
Annibale Carracci
etching on laid paper · 1606
National Gallery of Art
The Madonna della Scodella
Annibale Carracci
etching with engraving on laid paper · 1606
National Gallery of Art
Madonna and Child with Saints Elizabeth and John the Baptist (La Madonna della Scodella)
Annibale Carracci
etching and engraving · 1606
National Gallery of Art
Madonna and Child with Saints Elizabeth and John the Baptist
Annibale Carracci
Red chalk on ivory laid paper, tipped onto ivory wove card · 1606
Art Institute of Chicago
Madonna and Child with Saints Elizabeth and John the Baptist
Annibale Carracci
Engraving and etching in black on ivory laid paper · 1606
Art Institute of Chicago
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Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands
Annibale Carracci
Etching and engraving · 1606
The Metropolitan Museum of Art
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Christ Crowned with Thorns
Annibale Carracci
Etching · 1606
The Metropolitan Museum of Art
Madonna and Child with Saints Elizabeth and John the Baptist (Madonna della Scodella), the seated Mary and the infant Christ hold a cup from which the young Baptist drinks, Elizabeth lifts both hands
Annibale Carracci
Etching and engraving · 1606
The Metropolitan Museum of Art
Christ Crowned with Thorns
Annibale Carracci
Etching · 1606
The Metropolitan Museum of Art
Mourning over the Body of Saint Stephen
Annibale Carracci
Pen and brown ink, with brush and brown wash, over black chalk, on ivory laid paper · 1604
Art Institute of Chicago
Triumph of Bacchus and Ariadne
Annibale Carracci
Brush and gray wash, with graphite, on ivory laid paper · 1600
Art Institute of Chicago
Term
Annibale Carracci
Red chalk on cream laid paper, tipped onto ivory wove paper · 1600
Art Institute of Chicago
Reclining Child from Back
Annibale Carracci
Black chalk with stumping, heightened with white chalk, on gray toned ivory laid paper · 1600
Art Institute of Chicago
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Study for an Angel (recto); Study of a Cushion (verso)
Annibale Carracci
Charcoal or soft black chalk, highlighted with white chalk, on blue paper; several scattered stains of rose-colored paint at lower left (recto); black chalk with some white chalk highlights (verso) · 1600
The Metropolitan Museum of Art
Hercules and Iole
Annibale Carracci
Graphite, with brush and gray wash, on ivory laid paper · 1600
Art Institute of Chicago
Satyr and Goat
Annibale Carracci
Red chalk on cream laid paper, laid down on board · 1600
Art Institute of Chicago
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The Drunken SiIenus: Design for the "Tazza Farnese"
Annibale Carracci
Pen and brown ink, brush and brown wash, over traces of black chalk, and stylus compass constructions; framing lines in pen and brown ink and black chalk or charcoal · 1599
The Metropolitan Museum of Art
Drunken Silenus and Decorative Sketches: Studies for the Tazza Farnese (recto); Two Putti Fighting: Study for the Galleria Farnese (verso)
Annibale Carracci
Pen and iron gall ink, with brush and brown wash on cream laid paper edge mounted to cream laid paper (recto), and pen and iron gall ink on cream laid paper with decorative border in pen and brown ink (verso) · 1599
Art Institute of Chicago
Studie van een mannelijk naakt
Annibale Carracci
chalk, paper · 1599
Rijksmuseum
Studie voor een dode Christus
Annibale Carracci
paper, chalk · 1599
Rijksmuseum
Pieta (the "Christ of Caprarola")
Annibale Carracci
etching, engraving, and drypoint on laid paper · 1597
National Gallery of Art
Satyr Holding a Roundel
Annibale Carracci
black chalk on gray-blue paper · 1597
National Gallery of Art
The Drunken Silenus ("The Tazza Farnese")
Annibale Carracci
engraving on laid paper · 1597
National Gallery of Art