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Artworks

496 records by William Blake
A Warring Angel [recto]
A Warring Angel [recto]
William Blake
graphite on laid paper · 1780
National Gallery of Art
"And Saul Said unto David, Go, and the Lord be with Thee" [recto]
"And Saul Said unto David, Go, and the Lord be with Thee" [recto]
William Blake
pen and ink over graphite on laid paper · 1780
National Gallery of Art
Group of Men Seated in a Circle [recto]
Group of Men Seated in a Circle [recto]
William Blake
pen and black ink with wash over black chalk on laid paper · 1780
National Gallery of Art
Moses Staying the Plague (?) [recto]
Moses Staying the Plague (?) [recto]
William Blake
pen and ink with wash on two joined sheets · 1780
National Gallery of Art
An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure
An Allegory of the Bible. Verso: The Shins of an Écorché Male Figure
William Blake
Graphite, ink and watercolour on paper. Verso: graphite on paper · 1780
Tate
The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Three Figures in a Landscape
The Good Farmer, Probably the Parable of the Wheat and the Tares. Verso: Rough Sketch of Two or Three Figures in a Landscape
William Blake
Ink and watercolour on paper. Verso: graphite on paper · 1780
Tate
T
The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso)
William Blake
Recto: pen and gummed carbon black ink and layered gray ink washes with graphite underdrawing and reductive techniques · 1780
The Metropolitan Museum of Art
The Belvedere Torso [verso]
The Belvedere Torso [verso]
William Blake
graphite on two joined sheets · 1779
National Gallery of Art
Lear and Cordelia in Prison
Lear and Cordelia in Prison
William Blake
Ink and watercolour on paper · 1779
Tate
St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?
St Christopher, Copy from an Engraving? Verso:Part of a Face: Copy from a Plaster Cast: a Daughter of Niobe?
William Blake
Ink on paper. Verso: graphite on paper · 1779
Tate
Classical Combat (recto); Sketch of Male Nude (verso)
Classical Combat (recto); Sketch of Male Nude (verso)
William Blake
Pen and black ink over graphite (recto), and graphite (verso), on tan laid paper · 1775
Art Institute of Chicago
Nude Figure of a Man with Flaming Torch
Nude Figure of a Man with Flaming Torch
William Blake
Graphite on paper · 1757
Art Institute of Chicago
The Parable of the Wise and Foolish Virgins
The Parable of the Wise and Foolish Virgins
William Blake
Watercolour and gouache on paper
Tate
The Raising of Lazarus
The Raising of Lazarus
William Blake
Watercolour and graphite on paper
Tate
Christ in the Carpenter’s Shop: The Humility of the Saviour
Christ in the Carpenter’s Shop: The Humility of the Saviour
William Blake
Watercolour and graphite on paper
Tate
Plate 3 of ‘Urizen’: Oh! Flames of Furious Desires’
Plate 3 of ‘Urizen’: Oh! Flames of Furious Desires’
William Blake
Watercolour on paper
Tate
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